The Musical QuarterlyOscar George Sonneck G. Schirmer., 1918 - 204 頁 |
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第 1 到 5 筆結果,共 100 筆
第 4 頁
... become more musical in order to paint more freely . So perfect , indeed , is the connection in music between conception and expression , between substance and form , that music is considered the ideal medium of self - revelation to ...
... become more musical in order to paint more freely . So perfect , indeed , is the connection in music between conception and expression , between substance and form , that music is considered the ideal medium of self - revelation to ...
第 6 頁
... become accustomed to welcome the results of pure imagination and realize the enormous spiritual and mental vitality which goes to the making of a composition for orchestra , and in time the original composer will be rated as high as the ...
... become accustomed to welcome the results of pure imagination and realize the enormous spiritual and mental vitality which goes to the making of a composition for orchestra , and in time the original composer will be rated as high as the ...
第 7 頁
... become atrophied and incapable of any spontaneous outpouring of feeling . When we realize that the human voice is the God - given means for emotional relief , and that when we feel we should sing like the Tarasconian , whose creed is ...
... become atrophied and incapable of any spontaneous outpouring of feeling . When we realize that the human voice is the God - given means for emotional relief , and that when we feel we should sing like the Tarasconian , whose creed is ...
第 8 頁
... becoming truly musical until the natural and creative process has been at work ; it might as well try to become a race of athletes by watching others at their sports . Nothing would be better for our American public than a realization ...
... becoming truly musical until the natural and creative process has been at work ; it might as well try to become a race of athletes by watching others at their sports . Nothing would be better for our American public than a realization ...
第 18 頁
... becomes famous , of necessity become more or less cosmopolitan . But the whole history of music shows that the foundations of his æsthetic structure must be strongly local , perhaps because only from the comparative quiet of a stay - at ...
... becomes famous , of necessity become more or less cosmopolitan . But the whole history of music shows that the foundations of his æsthetic structure must be strongly local , perhaps because only from the comparative quiet of a stay - at ...
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adapted æsthetic American arranged artist Bach ballad Ballet band beauty Beethoven Belaiev Berlioz Best Best's Bishop called César Franck Charles Gounod choir choral chords chorus church music circuit composer composition concerts dance Debussy drama edition effect emotional English expression feeling folk-songs France Franz Liszt French German give Gounod Grand harmony hear Henry Henry Playford hexachord Huldigungs-Marsch hymn instrument interest Italian John Playford Leo Ornstein Liszt March matter Melodrama melody ment modern Mozart musicians nature never numbers Unknown opera Opéra-Comique orchestra organ organ music organist original Ornstein Overture Paris pedal performance piano pieces pitch play popular produced programs published pupil recitals refrain rhythm rhythmic Richard Wagner Romance Musical romantic Rossini Russian score singers singing sonata songs sound success sung Symphony teacher theatre theme things tone tune Unknown Unknown violin violinists vocal voice Volkslied Wagner words writing wrote
熱門章節
第 356 頁 - Glaucon, musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul...
第 45 頁 - There is nothing, I think, in which the power of art is shown so much as in playing on the fiddle. In all other things we can do something at first. Any man will forge a bar of iron, if you give him a hammer ; not so well as a smith, but tolerably. A man will saw a piece of wood, and make a box, though a clumsy one ; but give him a fiddle and a fiddle-stick, and he can do nothing.
第 535 頁 - No more firing was heard at Brussels — the pursuit rolled miles away. Darkness came down on the field and city : and Amelia was praying for George, who was lying on his face, dead, with a bullet through his heart.
第 350 頁 - Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold. There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubims : Such harmony is in immortal souls ; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.
第 348 頁 - IF any little word of mine May make a life the brighter, If any little song of mine May make a heart the lighter, God help me speak the little word And take my bit of singing, And drop it in some lonely vale To set the echoes ringing.
第 214 頁 - He wrapped her warm in his seaman's coat, Against the stinging blast ; He cut a rope from a broken spar, And bound her to the mast. 'O father! I hear the church-bells ring, O say, what may it be?
第 31 頁 - The shadow of the dome of pleasure Floated midway on the waves; Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice!
第 267 頁 - twas, but it express'd her fortune, And she died singing it : that song to-night Will not go from my mind ; I have much to do But to go hang my head all at one side And sing it like poor Barbara.
第 269 頁 - is the art of presenting to people the literary works which, in the actual state of their habits and beliefs, are capable of giving them the greatest possible pleasure; classicism, on the contrary, of presenting them with that which gave the greatest possible pleasure to their grandfathers.