"Twas for them that he measured the thought and the line,

And shaped for their vision the perfect design,
With as glorious a foresight, a balance as true,
As swung out the worlds in the infinite blue;
Then a glory and greatness invested man's heart,
The universal, which now stands estranged and
apart,

In the free individual moulded, was Art;

Then the forms of the Artist seemed thrilled with desire

For something as yet unattained, fuller, higher,
As once with her lips, lifted hands, and eyes listen-

ing,

And her whole upward soul in her countenance glistening,

Eurydice stood-like a beacon unfired,

Which, once touch'd with flame, will leap heav'nward inspired

And waited with answering kindle to mark

The first gleam of Orpheus that pained the red Dark.

Then painting, song, sculpture, did more than relieve

The need that men feel to create and believe,
And as, in all beauty, who listens with love,
Hears these words oft repeated-beyond and
above,'

So these seemed to be but the visible sign
Of the grasp of the soul after things more di-

vine;

They were ladders the Artist erected to climb
O'er the narrow horizon of space and of time,
And we see there the footsteps by which men had
gained

To the one rapturous glimpse of the never-attained,

As shepherds could erst sometimes trace in the sod

The last spurning print of a sky-cleaving god.

"But now, on the poet's dis-privacied moods With do this and do that the pert critic intrudes; While he thinks he's been barely fulfilling his duty To interpret 'twixt men and their own sense of beauty,

And has striven, while others sought honor or pelf, To make his kind happy as he was himself,

He finds he's been guilty of horrid offences

In all kinds of moods, numbers, genders, and tenses;

He's been ob and subjective, what Kettle calls Pot, Precisely, at all events, what he ought not,

You have done this, says one judge; done that, says another;

You should have done this, grumbles one; that, says

t'other;

Never mind what he touches, one shrieks out
Taboo!

And while he is wondering what he shall do,
Since each suggests opposite topics for song,
They all shout together you're right! and you're
wrong!

"Nature fits all her children with something to do,

He who would write and can't write, can surely

review,

Can set up a small booth as critic and sell us his Petty conceit and his pettier jealousies;

Thus a lawyer's apprentice, just out of his teens, Will do for the Jeffrey of six magazines;

Having read Johnson's lives of the poet's half through,

There's nothing on earth he's not competent to;
He reviews with as much nonchalance as he whis-

tles,

He goes through a book and just picks out the thistles,

It matters not whether he blame or commend,
If he's bad as a foe, he's far worse as a friend;
Let an author but write what's above his poor
scope,

And he'll go to work gravely and twist up a rope,
And, inviting the world to see punishment done,
Hang himself up to bleach in the wind and the

sun;

'Tis delightful to see, when a man comes along Who has any thing in him peculiar and strong, Every cockboat that swims clear its fierce (pop) gundeck at him

And make as he passes its ludicrous Peck at him,"

Here Miranda came up and began, "As to that,"

Apollo at once seized his gloves, cane, and hat,
And, seeing the place getting rapidly cleared,
I, too, snatched my notes and forthwith disap-
peared.

THE BIGLOW PAPERS.