Claiming the Real: The Documentary Film RevisitedBloomsbury Academic, 1995 - 301 頁 This work rewrites the history of documentary film to take account of technological change. Winston explores the role of such figures as Grierson, Flaherty and Dziga Vertov, and examines both the principles and practice of the major movements in documentary, such as "cinema verite." |
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第 1 到 3 筆結果,共 50 筆
第 49 頁
... despite the dialectic of the editing , there is no comment on the broader significance of this cargo from Jamaica . The point is summed up by Stuart Hood ( Orbanz , 1977 , p . 146 ) : ' Politically the realist movement did not go beyond ...
... despite the dialectic of the editing , there is no comment on the broader significance of this cargo from Jamaica . The point is summed up by Stuart Hood ( Orbanz , 1977 , p . 146 ) : ' Politically the realist movement did not go beyond ...
第 166 頁
... Despite all the hostility , even initially and certainly currently Vertov has carried no little weight . For example , Esfir Shub , an editor of genius , acknowledged her debt to him and considered herself his pupil . This was despite ...
... Despite all the hostility , even initially and certainly currently Vertov has carried no little weight . For example , Esfir Shub , an editor of genius , acknowledged her debt to him and considered herself his pupil . This was despite ...
第 187 頁
... despite this appealing personal style and despite the seductiveness of Chronique's reflexive practice , despite the lack of ten- dentiousness in the film's rhetorical positioning , despite one's sym- pathies for the oppositional ...
... despite this appealing personal style and despite the seductiveness of Chronique's reflexive practice , despite the lack of ten- dentiousness in the film's rhetorical positioning , despite one's sym- pathies for the oppositional ...
內容
Preface | 1 |
PART ONE THE CREATIVE TREATMENT OF ACTUALITY | 3 |
The Documentary Scitex and Harry | 5 |
著作權所有 | |
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常見字詞
actuality aesthetic agnicayana American anthropologists Aran artist audience Auricon Basil Wright became become Britain British camera cinéma vérité consent Courbet creative critical culture despite direct cinema docu document documentary film editing effect ethical ethnographic ethnographic film evidence example fact fiction film-makers film's Flaherty Flaherty's footage Frederick Wiseman Graef Grierson Griersonian Griersonian documentary Harry Watt Hogenkamp Humphrey Jennings ibid ideological industry instance intertitles interviews Inuit involved Ivens Jean Rouch Jennings Joris Ivens Leacock less Lorentz MacDougall material Maysles ment mentary Middletown movement movie Nanook narrative never newsreel norms observation organised Paul Rotha photographic political produced public education question radical realist documentary reality record-footage result rhetoric Riefenstahl Rotha scientific screen seen sense sequence shot sort sound sponsor sponsorship story structure suggests Sussex synch techniques television thing tion Titicut Follies tradition truth claims Vertov Wiseman workers