Beyond the Family Romance: The Legend of PascoliUniversity of Toronto Press, 2007年12月15日 - 212页 Giovanni Pascoli (1855–1912) is one of Italy’s most canonical and beloved poets. In Beyond the Family Romance, Maria Truglio offers fresh insight into the uncanny qualities of Pascoli’s domestic verse. As suggested by the Freudian title, this study opens a dialogue between Pascoli’s literature and Freud’s theories, with a particular focus on each author’s interrogation of origins. Through close readings and historical contextualization, themes of regression, memory, and other manifestations of ‘origins’ are analyzed, moving Pascoli’s poetry beyond the biographical strictures that have hitherto confined it. Truglio’s post-structuralist readings question the dichotomy between ‘safety within the home’ and the ‘threatening outside world,’ revealing the ambivalences with which images of the home are fraught in Pascoli’s poetry. In addition to the sustained comparison with Freud’s writing, Beyond the Family Romance explores parallels between Pascoli’s work and such writers as Tarchetti, Boito, Poe, and Invernizio. Rethinking the concept of the fanciullino (‘little child’), Truglio shows that Pascoli’s poetry enacts a symbiosis between the logic of the rational modern adult and the mythic vision of the child. |
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... vision is the very heart of all true poetry , we find that in his poetic practice the return to the wonder of the ... visions of the moral and social goals and implications of their undertakings . Pascoli , to my knowledge , was not a ...
... vision, in which the “I” is discovered to be the many others it excludes in order to preserve its identity.'12 In 'Osso di morto,' for example, the ghost of a laboratory worker whose body was dissected by a scientist for research ...
... vision / Wherever I may touch , or kiss , or place my hands / I feel bursting forth the cold bones of death . ( my translation ) ] The afflicted speaker cannot but confront the ' horrendous vision ' that looms ' hidden ' and ' veiled ...
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