Beyond the Family Romance: The Legend of PascoliUniversity of Toronto Press, 2007年12月15日 - 212页 Giovanni Pascoli (1855–1912) is one of Italy’s most canonical and beloved poets. In Beyond the Family Romance, Maria Truglio offers fresh insight into the uncanny qualities of Pascoli’s domestic verse. As suggested by the Freudian title, this study opens a dialogue between Pascoli’s literature and Freud’s theories, with a particular focus on each author’s interrogation of origins. Through close readings and historical contextualization, themes of regression, memory, and other manifestations of ‘origins’ are analyzed, moving Pascoli’s poetry beyond the biographical strictures that have hitherto confined it. Truglio’s post-structuralist readings question the dichotomy between ‘safety within the home’ and the ‘threatening outside world,’ revealing the ambivalences with which images of the home are fraught in Pascoli’s poetry. In addition to the sustained comparison with Freud’s writing, Beyond the Family Romance explores parallels between Pascoli’s work and such writers as Tarchetti, Boito, Poe, and Invernizio. Rethinking the concept of the fanciullino (‘little child’), Truglio shows that Pascoli’s poetry enacts a symbiosis between the logic of the rational modern adult and the mythic vision of the child. |
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... repression . Where many of Freud's major works describe the unconscious generation or expression of repressed material ( dreams , parapraxes , jokes , neurotic symptoms ) , the ' uncanny ' explores the unconscious recognition of repressed ...
... repressed are once more revived by some impression , or when primitive beliefs which have been surmounted seem once more to be confirmed , ' qualifying this definition with the caveat that ' the distinction is often a hazy one ' ( 249 ) ...
... repressed sexual libido , which , given his choice of lifestyle , had no other outlet.25 According to Curi , the poems do not directly describe sexual desire or eroticism because Pascoli's strong superego acted as a censor , thus giving ...
... repressed ' element can be understood to include the socially unacceptable and / or the rationally ' surmounted ' to use Freud's term from ' The “ Uncanny . " In other words , the model itself does not force us to limit our conception ...
... repressed and repression . The symbolic here refers to the social practice of signification , the ' law ' by which meaning is stabilized in and by language , the most basic of which is the implied copula of the sign . The ' semiotic ...