Beyond the Family Romance: The Legend of PascoliUniversity of Toronto Press, 2007年12月15日 - 212页 Giovanni Pascoli (1855–1912) is one of Italy’s most canonical and beloved poets. In Beyond the Family Romance, Maria Truglio offers fresh insight into the uncanny qualities of Pascoli’s domestic verse. As suggested by the Freudian title, this study opens a dialogue between Pascoli’s literature and Freud’s theories, with a particular focus on each author’s interrogation of origins. Through close readings and historical contextualization, themes of regression, memory, and other manifestations of ‘origins’ are analyzed, moving Pascoli’s poetry beyond the biographical strictures that have hitherto confined it. Truglio’s post-structuralist readings question the dichotomy between ‘safety within the home’ and the ‘threatening outside world,’ revealing the ambivalences with which images of the home are fraught in Pascoli’s poetry. In addition to the sustained comparison with Freud’s writing, Beyond the Family Romance explores parallels between Pascoli’s work and such writers as Tarchetti, Boito, Poe, and Invernizio. Rethinking the concept of the fanciullino (‘little child’), Truglio shows that Pascoli’s poetry enacts a symbiosis between the logic of the rational modern adult and the mythic vision of the child. |
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... figure : ' oh ! eran belli i tuoi tempi , / Goethe , Foscolo , ... Porta , / Una falange di sublimi esempi , / una olimpica scorta . / Noi vaghiam nell'Ignoto . I figli siamo / del Dubbio ' [ oh ! your times were beautiful , Goethe ...
... figure of the uncanny is the Ghost ... What is intolerable is that the Ghost erases the limit which exists between two states , neither alive nor dead ; passing through , the dead man returns in the manner of the Repressed.'8 In both ...
... figure of repression, and the dramatic scenarios staged by the poems play out the subjects' confrontations with the repressed. In both scenarios, the dialogue takes place between a man and a beloved woman, underscoring death's ...
... figure of the vampire provides a final instance of the scapigliati's typical materialization of figurative speech . Del Principe convincingly argues that Tarchetti's novel Fosca , as well as his short stories ' I fatali ' and ' Le ...
... figures ) . As I show in my readings of their texts , these encoun- ters result in a mutual destabilization of each perspective rather than the eventual triumph of one over the other . Rather than positioning Freud- ian psychoanalysis ...