Beyond the Family Romance: The Legend of PascoliUniversity of Toronto Press, 2007年12月15日 - 212页 Giovanni Pascoli (1855–1912) is one of Italy’s most canonical and beloved poets. In Beyond the Family Romance, Maria Truglio offers fresh insight into the uncanny qualities of Pascoli’s domestic verse. As suggested by the Freudian title, this study opens a dialogue between Pascoli’s literature and Freud’s theories, with a particular focus on each author’s interrogation of origins. Through close readings and historical contextualization, themes of regression, memory, and other manifestations of ‘origins’ are analyzed, moving Pascoli’s poetry beyond the biographical strictures that have hitherto confined it. Truglio’s post-structuralist readings question the dichotomy between ‘safety within the home’ and the ‘threatening outside world,’ revealing the ambivalences with which images of the home are fraught in Pascoli’s poetry. In addition to the sustained comparison with Freud’s writing, Beyond the Family Romance explores parallels between Pascoli’s work and such writers as Tarchetti, Boito, Poe, and Invernizio. Rethinking the concept of the fanciullino (‘little child’), Truglio shows that Pascoli’s poetry enacts a symbiosis between the logic of the rational modern adult and the mythic vision of the child. |
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... called ' bad ' because. The mouth is subtly fetishized in this poem , as evidenced by the several repetitions of ' bocca , ' ' boccone , ' and ' baci . ' Particularly in lines 68 to 72 , the triple repetition of ' bocca , ' ' baci ...
The Legend of Pascoli Maria Truglio. ing , the world is called ' bad ' because it leaves the speaker in financial hardship . At the same time , however , the ' bitter mouthfuls ' could signify the mouthful of dirt that prevents his ...
... called him into being, as it were: the subject, Tarchetti implies, does not exist outside his ambivalent relationship to death. Macabre, Gothic fright dominates in Tarchetti's representation of the ghost. The first six lines, spoken by ...
... called perversions first , and only then , with the insights gleaned from this study , does he turn to ' infant and child sexuality . ' As Freud states early in the text : ' The importance of these abnormalities lies in the unexpected ...
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