There were dark cedars with loose mossy tresses, White powdered dog-trees, and stiff hollies flauntGaudy as rustics in their May-day dresses, [ing Blue pelloret from purple leaves upslanting A modest gaze, like eyes of a young maiden Shining beneath dropp'd lids the evening of her wedding. The breeze fresh springing from the lips of morn, Kissing the leaves, and sighing so to lose 'em, The winding of the merry locust's horn, [som : The glad spring gushing from the rock's bare boSweet sights, sweet sounds, all sights, all sounds ex celling, [ing. Oh! 'twas a ravishing spot formed for a poet's dwell And did I leave thy loveliness, to stand Again in the dull world of earthly blindness? Pained with the pressure of unfriendly hands, Sick of smooth looks, agued with icy kindness? Left I for this thy shades, where none intrude, To prison wandering thought and mar sweet solitude? Yet I will look upon thy face again, My own romantic Bronx, and it will be A face more pleasant than the face of men. Thy waves are old companions, I shall see A well-remembered form in each old tree, And hear a voice long loved in thy wild minstrelsy WILLIAM LEGGETT. A SACRED MELODY. Ir yon bright stars which gem the night Where kindred spirits reunite, Whom death has torn asunder here; How sweet it were at once to die, And leave this blighted orb afar- But oh! how dark, how drear, how lone Which death's cold hand alone can sever, It cannot be! each hope and fear That lights the eye or clouds the brow, Than this bleak world that holds us now! When heaviest weighs life's galling chain; 'Tis heaven that whispers, "Dry thy tears: The pure in heart shall meet again!" JOHN G. C. BRAINARD. THE FALL OF NIAGARA. Labitur et labetur. THE thoughts are strange that crowd into my brain And spoke in that loud voice, which seem'd to him And notch His cent'ries in the eternal rocks. Deep calleth unto deep. And what are we, That hear the question of that voice sublime? Oh! what are all the notes that ever rung From war's vain trumpet, by thy thundering side! Yea, what is all the riot man can make In his short life, to thy unceasing roar! And yet, bold babbler, what art thou to HIM, Who drown'd a world, and heap'd the waters far Above its loftiest mountains? a light wave That breaks, and whispers of its Maker's might. MR. MERRY'S LAMENT FOR "LONG TOM." "Let us think of them that sleep, By thy wild and stormy steep, THY cruise is over now, Thou art anchor'd by the shore, And never more shalt thou Hear the storm around thee roar; Death has shaken out the sands of thy glass. The sea-grass round thy bier Where thy manly limbs abide; But the granite rock thy tombstone shall be. Are the combings of the wave, Over thee. At the piping of all hands, When the judgment signal's spread→→→ And the just man is afraid, THE INDIAN SUMMER. WHAT is there sadd'ning in the Autumn leaves? Have they that "green and yellow melancholy" That the sweet poet spake of? Had he seen Our variegated woods, when first the frost Turns into beauty all October's charmsWhen the dread fever quits us-when the storms Of the wild Equinox, with all its wet, Has left the land, as the first deluge left it, With a bright bow of many colours hung Upon the forest tops-he had not sigh'd. The moon stays longest for the Hunter now: The trees cast down their fruitage, and the blithe And busy squirrel hoards his winter store: While man enjoys the breeze that sweeps along The bright blue sky above him, and that bends Magnificently all the forest's pride, Or whispers through the evergreens, and asks, "What is there sadd'ning in the Autumn leaves?" "The dead leaves strow the forest walk, Gone are the spring's green sprouting bowers, Gone summer's rich and mantling vines, And Autumn, with her yellow hours, I learn'd a clear and wild-toned note, There perch'd and raised her song for me. Too mild the breath of southern sky, No mountain-top, with sleety hair, Go there with all the birds, and seek |