Shakespeare's Perfume: Sodomy and Sublimity in the Sonnets, Wilde, Freud, and Lacan

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University of Pennsylvania Press, 2016年1月29日 - 134 頁
Starting with St. Paul's argument that the Greeks were afflicted with homosexuality to punish their excessive love of statues, Richard Halpern uncovers a tradition in which aesthetic experience gives birth to the sexual—and thus reverses the Freudian thesis that erotic desire is sublimated into art. Rather, Halpern argues, sodomy was implicated with aesthetic categories from the very start, as he traces a connection between sodomy and the unrepresentable that runs from Shakespeare's Sonnets to Oscar Wilde's novella The Portrait of Mr. W.H., Freud's famous essay on Leonardo da Vinci, and Jacques Lacan's seminar on the ethics of psychoanalysis. Drawing on theology, alchemy, psychoanalysis, philosophy, and literary criticism, Shakespeare's Perfume explores how the history of aesthetics and the history of sexuality are fundamentally connected.

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Introduction
1
Shakespeares Perfume
11
Theory to Die For Oscar Wildes The Portrait of Mr WH
32
Freuds Egyptian Renaissance Leonardo da Vinci and a Memory of His Childhood
59
Lacans Anal Thing The Ethics of Psychoanalysis
86
Notes
103
Bibliography
117
Index
123
Acknowledgments
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第 19 頁 - Let those whom nature hath not made for store, Harsh, featureless, and rude, barrenly perish. Look whom she best endowed, she gave the more; Which bounteous gift thou shouldst in bounty cherish. She carved thee for her seal, and meant thereby Thou shouldst print more, not let that copy die.
第 42 頁 - do not do the thing they most do show, Who, moving others, are themselves as stone. He could act love, but could not feel it, could mimic passion without realizing it.
第 61 頁 - It seems that I was always destined to be so deeply concerned with vultures; for I recall as one of my very earliest memories that while I was in my cradle a vulture came down to me, and opened my mouth with its tail, and struck me many times with its tail against my lips
第 13 頁 - pent in walls of glass, Beauty's effect with beauty were bereft, Nor it nor no remembrance what it was. But flow'rs distilled, though they with winter meet, Leese but their show, their substance still lives sweet.
第 19 頁 - From fairest creatures we desire increase, That thereby beauty's rose might never die, But as the riper should by time decease, His tender heir might bear his memory.
第 105 頁 - adds: But earthlier happy is the rose distill'd, Than that which withering on the virgin thorn Grows, lives, and dies in single blessedness. (1.1.76—78)
第 90 頁 - from his soul, is to be expunged; this I shall do, by printing in the infernal method, by corrosives, which in Hell are salutary and medicinal, melting apparent surfaces away, and displaying the infinite
第 50 頁 - Who was that young man of Shakespeare's day who, without being of noble birth or even of noble nature, was addressed by him in terms of such passionate adoration that we can but wonder at the strange worship, and are almost afraid to turn the key that unlocks the mystery of the poet's heart?
第 38 頁 - imaginary identification is identification with the image in which we appear likeable to ourselves, with the image representing ‘what we would like to be: and symbolic identification [is] identification with the very place from where we are being observed, from where we look at ourselves so that we appear to ourselves
第 22 頁 - and my faire flower That now is ripe, and full of honey-berries: Then would I leade thee to my pleasant Bower Fild full of Grapes, of Mulberries and Cherries; Then shouldst thou be my Waspe or else my Bee, I would thy hive, and thou my honey bee.

關於作者 (2016)

Richard Halpern is the author of Shakespeare Among the Moderns. He is Professor of English at the University of California, Berkeley.

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