Auf. No more.1 Cor. Measureless liar, thou hast made my heart Too great for what contains it. Boy! O slave!— Pardon me, lords, 'tis the first time that ever I was forced to scold. Your judgments, my grave lords, Must give this cur the lie; and his own notion (Who wears my stripes impressed on him; that must bear My beating to his grave) shall join to thrust The lie unto him. 1 Lord. Peace, both, and hear me speak. Cor. Cut me to pieces, Volces; men and lads, Stain all your edges on me.-Boy! False hound! If you have writ your annals true, 'tis there, That, like an eagle in a dovecote, I Fluttered your Volces in Corioli: Alone I did it.-Boy! Auf. Why, noble lords, Will you be put in mind of his blind fortune, Which was your shame, by this unholy braggart, 'Fore your own eyes and ears? Con. Let him die for't. [Several speak at once. Cit. [Speaking promiscuously.] Tear him to pieces; do it presently. He killed my son ;-my daughter;He killed my cousin Marcus;-He killed my father!2 Lord. Peace, ho;-no outrage;―peace. The man is noble, and his fame folds in This orb o'the earth. His last offence to us Cor. Auf. O that I had him, Insolent villain ! 1 This must be considered as continuing the former speech of Aufidius; he means to tell Coriolanus that he was "no more than a boy of tears." 2 "His fame overspreads the world." 3 "Judicious, in the present instance, means judicial; it appears from Bullokar's Expositor that the words were convertible." Con. Kill, kill, kill, kill, kill him. [AUFIDIUS and the Conspirators draw and kill CORIOLANUS, who falls, and AUFIDIUS stands Lords. on him. Hold, hold, hold, hold. Auf. My noble masters, hear me speak. 1 Lord. O Tullus ! 2 Lord. Thou hast done a deed whereat valor will weep. 3 Lord. Tread not upon him.-Masters all, be quiet; Put up your swords. Auf. My lords, when you shall know (as in this Your heaviest censure. 1 Lord. rage, Bear from hence his body, And mourn you for him; let him be regarded Did follow to his urn.1 2 Lord. His own impatience Auf. Assist. [Exeunt, bearing the body of CORIOLANUS. A dead march sounded. 1 This allusion is to a custom which was observed in the public funerals of English princes, at the conclusion of which a herald proclaims the style of the deceased. 2 Memorial. See Act iv. Sc. 5. THE tragedy of Coriolanus is one of the most amusing of our author's performances. The old man's merriment in Menenius; the lofty lady's dignity in Volumnia; the bridal modesty in Virgilia; the patrician and military haughtiness in Coriolanus; the plebeian malignity and tribunitian insolence in Brutus and Sicinius,-make a very pleasing and interesting variety; and the various revolutions of the hero's fortune fill the mind with anxious curiosity. There is, perhaps, too much bustle in the first act, and too little in the last. JOHNSON. END OF VOL. V. |