Or force of Greekish sinews; you shall do more Yea, what he shall receive of us in duty, Gives us more palm in beauty than we have; Yea, overshines ourself. Par. Sweet, above thought I love thee. [Exeunt. SCENE II. The same. Pandarus' Orchard. Enter PANDARUS and a Servant, meeting. Pan. How now? where's thy master? at my cousin Cressida's? Serv. No, sir; he stays for you to conduct him thither. Enter TROILUS. Pan. O, here he comes.-How now, how now? Tro. Sirrah, walk off. [Exit Servant. Pan. Have you seen my cousin? Tro. No, Pandarus: I stalk about her door, Proposed for the deserver? O gentle Pandarus, Pan. Walk here i' the orchard, I'll bring her straight. [Exit PANDARUS. Tro. I am giddy; expectation whirls me round. The imaginary relish is so sweet That it enchants my sense. What will it be, For the capacity of my ruder powers: Re-enter PANDARUS. Pan. She's making her ready; she'll come straight; you must be witty now. She does so blush, and fetches her wind so short, as if she were frayed with a sprite; I'll fetch her. It is the prettiest villain; she fetches her breath as short as a new-ta'en sparrow. [Exit PANDARUs. Tro. Even such a passion doth embrace my bosom. My heart beats thicker than a feverous pulse; And all my powers do their bestowing lose, Enter PANDARUS and CRESSIDA. Why Pan. Come, come, what need you blush? shame's a baby. Here she is now; swear the oaths now to her, that you have sworn to me.-What, are you gone again? you must be watched' ere you be made tame, must you? Come your ways, come your ways; an you draw backward, we'll put you i' the fills. do you not speak to her?-Come, draw the curtain, and let's see your picture. Alas the day, how loath you are to offend daylight! an 'twere dark, you'd close sooner. So, so; rub on, and kiss the mistress.3 How now, a kiss in fee-farm! build there, carpenter; the air is sweet. Nay, you shall fight your hearts out, ere 4 1 Hawks were tamed by keeping them from sleep. 2 i. e. the shafts. 3 The allusion is to bowling; what is now called the jack was formerly termed the mistress. A bowl that kisses the jack or mistress is in the most advantageous situation. Rub on is a term in the game. See Cymbeline, Act ii. Sc. 1. 4"A kiss in fee-farm" is a kiss of duration, that has bounds, a fee-farm being a grant of lands in fee; that is, forever reserving a certain rent. I part you. The falcon as the tercel,' for all the ducks i' the river; go to, go to. Tro. You have bereft me of all words, lady. Pan. Words pay no debts; give her deeds; but she'll bereave you of the deeds too, if she call your activity in question. What, billing again? Here's -In witness whereof the parties interchangeablya— Come in, come in; I'll go get a fire. [Exit PANDARUS. Cres. Will you walk in, my lord? Tro. O Cressida, how often have I wished me thus? Cres. Wished, my lord?-The gods grant!-O my lord! Tro. What should they grant? what makes this pretty abruption? What too curious dreg espies my sweet lady in the fountain of our love? Cres. More dregs than water, if my fears have eyes. Tro. Fears make devils cherubins; they never see truly. Čres. Blind fear, that seeing reason leads, finds safer footing than blind reason stumbling without fear. To fear the worst, oft cures the worst. Tro. O, let my lady apprehend no fear; in all Cupid's pageant there is presented no monster.3 Cres. Nor nothing monstrous neither? Tro. Nothing, but our undertakings; when we vow to weep seas, live in fire, eat rocks, tame tigers; thinking it harder for our mistress to devise imposition enough, than for us to undergo any difficulty imposed. This is the monstruosity in love, lady,—that the will is infinite, and the execution confined; that the desire is boundless, and the act a slave to limit. Cres. They say, all lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one. 1 The tercel is the male, and the falcon the female hawk. Pandarus backs the falcon against the tercel for any stake. 2 Thus in a future page :-"Go to, a bargain made; seal it." 3 From this passage a Fear appears to have been a personage in other pageants, or perhaps in our ancient moralities. VOL. V. 38 They that have the voice of lions, and the act of hares, are they not monsters? Praise us Tro. Are there such? such are not we. as we are tasted, allow us as we prove; our head shall go bare, till merit crown it; no perfection in reversion shall have a praise in present; we will not name desert, before his birth; and, being born, his addition shall be humble. Few words to fair faith. Troilus shall be such to Cressid, as what envy can say worst, shall be a mock for his truth; and what truth can speak truest, not truer than Troilus. Cres. Will you walk in, my lord? Re-enter PANDARUS. Pan. What, blushing still? have you not done talking yet? Cres. Well, uncle, what folly I commit, I dedicate to you. Pan. I thank you for that; if my lord get a boy of you, you'll give him me. Be true to my lord; if he flinch, chide me for it. Tro. You know now your hostages; your uncle's word, and my firm faith. Pan. Nay, I'll give my word for her too; our kindred, though they be long ere they are wooed, they are constant, being won: they are burs, I can tell you: they'll stick where they are thrown. Cres. Boldness comes to me now, and brings me heart. Prince Troilus, I have loved you night and day Tro. Why was my Cressid then so hard to win ? 1 Even malice (i. e envy) shall not be able to impeach his truth, or attach him in any other way, except by ridiculing him for his constancy. But I might master it; in faith, I lie; My thoughts were like unbridled children, grown But, though I loved you well, I wooed you not; Of speaking first. Sweet, bid me hold my tongue; The thing I shall repent. See, see, your silence, Tro. And shall, albeit sweet music issues thence. Cres. My lord, I do beseech you pardon me; 'Twas not my purpose thus to beg a kiss. I am ashamed;-O Heavens! what have I done?— For this time will I take my leave, my lord. Tro. Your leave, sweet Cressid? Pan. Leave! an you take leave till to-morrow morning, Cres. Pray you, content you. Tro. What offends you, lady? You cannot shun Cres. Sir, mine own company. Tro. Yourself. Cres. Let me go and try: I have a kind of self resides with you; Where is my wit? I know not what I speak. Tro. Well know they what they speak, that speak so wisely. Cres. Perchance, my lord, I show more craft than love; And fell so roundly to a large confession, To angle for your thoughts. But you are wise; |