Periods of European Literature, 第 6 卷C. Scribner's sons, 1898 |
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第 2 頁
... line anywhere across the Spanish drama , poetry , or prose story of the great time and say , Here an old influence ended , here a new one began . We have to deal with the slow growth , very brief culmination , and sudden extinction of a ...
... line anywhere across the Spanish drama , poetry , or prose story of the great time and say , Here an old influence ended , here a new one began . We have to deal with the slow growth , very brief culmination , and sudden extinction of a ...
第 9 頁
... line of four . The inborn preference of the Spaniard for loose metres gradually gained the upper hand . No doubt fine verses may be picked out from the bulk of the writings of the troubadour school of Castile . The rhythmus de contemptu ...
... line of four . The inborn preference of the Spaniard for loose metres gradually gained the upper hand . No doubt fine verses may be picked out from the bulk of the writings of the troubadour school of Castile . The rhythmus de contemptu ...
第 12 頁
... line after line until it is exhausted . More commonly the assonant comes in alternate lines . As a rule there is no division into stanzas , but the verse runs on till the speech is ended , or the tale is told . To this there are ...
... line after line until it is exhausted . More commonly the assonant comes in alternate lines . As a rule there is no division into stanzas , but the verse runs on till the speech is ended , or the tale is told . To this there are ...
第 13 頁
... line corresponding to nothing . Even the rule requiring the use of eight syllables is applied with restrictions , -an accented syllable at the end counts as two , while two un- accented syllables rank only as one . It must be ...
... line corresponding to nothing . Even the rule requiring the use of eight syllables is applied with restrictions , -an accented syllable at the end counts as two , while two un- accented syllables rank only as one . It must be ...
第 20 頁
... lines of mere prose , for vulgarities , for flat , spirit- less endings . He will often feel that he is reading mere repetitions in a popular form , written by pain- fully uninspired authors , whose too frequent use of stock literary ...
... lines of mere prose , for vulgarities , for flat , spirit- less endings . He will often feel that he is reading mere repetitions in a popular form , written by pain- fully uninspired authors , whose too frequent use of stock literary ...
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