Periods of European Literature, 第 6 卷C. Scribner's sons, 1898 |
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第 1 到 5 筆結果,共 31 筆
第 6 頁
... third quarter of the sixteenth century it might have appeared to a superficial observer that the native element was overpowered by the foreign . But the triumph of the " learned " literature was in show , not in reality . The book ...
... third quarter of the sixteenth century it might have appeared to a superficial observer that the native element was overpowered by the foreign . But the triumph of the " learned " literature was in show , not in reality . The book ...
第 12 頁
... third , or into quintillas of five lines , with an assonant in three . The recalcitrance of the Spaniard to all limitations in verse - making has caused him to give a very wide range indeed to the assonant . The vowel u is allowed to ...
... third , or into quintillas of five lines , with an assonant in three . The recalcitrance of the Spaniard to all limitations in verse - making has caused him to give a very wide range indeed to the assonant . The vowel u is allowed to ...
第 43 頁
... third , the second , fourth , and fifth to- gether , and enforces the well - known lesson , " Gather ye rosebuds while ye may , " for the instruction of a young lady at Naples who had not favoured the suit of one of the poet's friends ...
... third , the second , fourth , and fifth to- gether , and enforces the well - known lesson , " Gather ye rosebuds while ye may , " for the instruction of a young lady at Naples who had not favoured the suit of one of the poet's friends ...
第 48 頁
... the Tuscan models there are some which possess the lyric cry with a degree of intensity very 1 Biblioteca de Ribadencyra , vol . xxxii . " " rare among the Spaniards . The third cancion 48 EUROPEAN LITERATURE - LATER RENAISSANCE .
... the Tuscan models there are some which possess the lyric cry with a degree of intensity very 1 Biblioteca de Ribadencyra , vol . xxxii . " " rare among the Spaniards . The third cancion 48 EUROPEAN LITERATURE - LATER RENAISSANCE .
第 66 頁
... third , a chorus of maidens at the end of each . The dialogue has life , and there is a not unsuccessful attempt at characterisation in the parts of the brothers and of Potiphar's wife . At the close comes the villancico , a simple form ...
... third , a chorus of maidens at the end of each . The dialogue has life , and there is a not unsuccessful attempt at characterisation in the parts of the brothers and of Potiphar's wife . At the close comes the villancico , a simple form ...
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