Rambles in Italy: In the Years 1816....17N. G. Maxwell, J. Robinson, Printer, 1818 - 379页 |
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共有 26 个结果,这是第 1-5 个
第46页
... style of gesture , by which nature has charac- terised the Italian nation , the classick forms of antiquity , which they have continually before their eyes , naturally fashion . them to a standard of grace ; and , indeed , omitting the 46.
... style of gesture , by which nature has charac- terised the Italian nation , the classick forms of antiquity , which they have continually before their eyes , naturally fashion . them to a standard of grace ; and , indeed , omitting the 46.
第87页
... style , in order to humour * the taste of a favourite cantatrice . For this reason , in propor- tion as the musick of Italy prospers , her poetry declines , and the greatness of the former may be said to be built on the ruins of the ...
... style , in order to humour * the taste of a favourite cantatrice . For this reason , in propor- tion as the musick of Italy prospers , her poetry declines , and the greatness of the former may be said to be built on the ruins of the ...
第94页
... style of musical composi- tion . The Opera Seria never stoops below a certain dignity and elevation , and admits of no comick incidents , no flashes of merriment to en- liven the spectator . The former unbends the mind , the latter ...
... style of musical composi- tion . The Opera Seria never stoops below a certain dignity and elevation , and admits of no comick incidents , no flashes of merriment to en- liven the spectator . The former unbends the mind , the latter ...
第95页
... style equally chaste and elegant ; and accordingly we find the Italians , rival- ing the French in the artifice of embellish- ment , and certainly surpassing them in the management of the scenes , and the construc- tion of theatrical ...
... style equally chaste and elegant ; and accordingly we find the Italians , rival- ing the French in the artifice of embellish- ment , and certainly surpassing them in the management of the scenes , and the construc- tion of theatrical ...
第101页
... style in which they mention him . He was , perhaps , the first who attempted to reform the rude manners and improbable in- cidents of the Italian stage . The Italians claim the honour of possessing a national Dramatis Persona . Having ...
... style in which they mention him . He was , perhaps , the first who attempted to reform the rude manners and improbable in- cidents of the Italian stage . The Italians claim the honour of possessing a national Dramatis Persona . Having ...
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admiration adorned Adriatick altar ancient appear Aquileia artist Austria beau beauty Buonaparte celebrated character characteristick charms church of St classick colours countenance decorated delight displayed Doge edifice effect elegant embellished Emperour enchanting exhibited exteriour fancy feelings Florence French gallery genius grace grandeur heart human imagination influence interiour Istria Italian Italy ject light Lombardy Louvre magnificence marble Mark's place Medici ment Metastasio Michael Angelo mind Monselice monuments moral mountains multitude muse musick nature nobility noble objects opera Opera Seria ornaments Padua painting palace passions Paul Brill Paul Veronese Petrarch picture pleasure poet poetry porphyry present Procuratie Vecchie publick racter remark render republick rich Roman Rome ruins scene sculpture shade sion splendid splendour statuary statues sublime superb talents Tasso taste temple terrifick theatre tion Titian traveller Trieste ture Tuscan Venetian Venice Venus de Medicis villa vols
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第226页 - Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights, and live laborious days : But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with the abhorred shears And slits the thin-spun life. But not the praise...
第234页 - I had rather believe all the fables in the Legend, and the Talmud, and the Alcoran, than that this universal frame is without a mind.
第120页 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in, glittering like the morning star, full of life, and splendour, and joy.
第39页 - Pelops' line, Or the tale of Troy divine, Or what (though rare) of later age, Ennobled hath the buskined stage. But O, sad Virgin, that thy power Might raise Musaeus from his bower, Or bid the soul of Orpheus sing Such notes as warbled to the string, Drew iron tears down Pluto's cheek, And made Hell grant what Love did seek.
第353页 - Sometimes, with secure delight, The upland hamlets will invite, When the merry bells ring round, And the jocund rebecks sound To many a youth and many a maid Dancing in the chequered shade...
第107页 - This guest of summer, The temple-haunting martlet, does approve By his loved mansionry that the heaven's breath Smells wooingly here : no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendent bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
第92页 - Can any mortal mixture of earth's mould Breathe such divine enchanting ravishment? Sure something holy lodges in that breast, And with these raptures moves the vocal air To testify his hidden residence.
第85页 - At last a soft and solemn-breathing sound Rose like a steam of rich distill'd perfumes, And stole upon the air...