The Unity of the Senses: Interrelations Among the ModalitiesAcademic Press, 2014年5月10日 - 302 頁 Academic Press Series in Cognition and Perception: The Unity of the Senses: Interrelations Among the Modalities focuses on the perceptual processes, approaches, and methodologies involved in studies on the unity of the senses. The publication first elaborates on the doctrines of equivalent information, analogous sensory attributes and qualities, and common psychophysical properties. Discussions focus on discrimination, sensitivity, sound symbolism, intensity, brightness, and cross-modal perception of size, form, and space. The text then examines the doctrine of neural correspondences and sound symbolism in poetry, including sound and meaning, analogue and formal representation, vowel symbolism in poetry, coding perceptual information, coding sensory attributes, and evolution and development. The manuscript takes a look at synesthetic metaphor in poetry, as well as unity of the senses and synesthetic metaphor, warm and cool colors, synesthetic metaphors of odor and music, metaphorical imperative, and the music of Conrad Aiken. The publication is a valuable source of data for researchers interested in the unity of the senses. |
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第 1 到 5 筆結果,共 46 筆
第 2 頁
... sight, hearing, taste, smell, and pain make five; if we lump touch, warmth, and cold together into a single somesthetic sense, the total is six (less), but if we take the three separately, the total is eight (more). At first blush, a ...
... sight, hearing, taste, smell, and pain make five; if we lump touch, warmth, and cold together into a single somesthetic sense, the total is six (less), but if we take the three separately, the total is eight (more). At first blush, a ...
第 4 頁
... sight and touch apprehend them only accidentally [De anima, 425a]. Whereas color is appreciated only by the eye and taste only by the tongue, qualities like shape and number are appreciated properly by Aristotle's sixth or common sense ...
... sight and touch apprehend them only accidentally [De anima, 425a]. Whereas color is appreciated only by the eye and taste only by the tongue, qualities like shape and number are appreciated properly by Aristotle's sixth or common sense ...
第 8 頁
... sight. Relatively few people are truly synesthetic—rarely do sensory experiences of sight, sound, and taste actually arise, secondarily, from inappropriate stimuli; rarely do secondary images actually blend into primary sensations ...
... sight. Relatively few people are truly synesthetic—rarely do sensory experiences of sight, sound, and taste actually arise, secondarily, from inappropriate stimuli; rarely do secondary images actually blend into primary sensations ...
第 11 頁
... sight and by touch. Movement can be perceived by sight, by sound, or by touch, as Hornbostel (1925) noted. "From “Paid on Both Sides” by W. H. Auden. In Collected longer poems; copyright 1969. Reprinted by permission of Random House ...
... sight and by touch. Movement can be perceived by sight, by sound, or by touch, as Hornbostel (1925) noted. "From “Paid on Both Sides” by W. H. Auden. In Collected longer poems; copyright 1969. Reprinted by permission of Random House ...
第 12 頁
... sight and touch [De anima, 442b].” Properties of objects like shape and texture, properties of events like movement and duration, can make themselves known through several sensory channels; the common sensibles appear to correspond ...
... sight and touch [De anima, 442b].” Properties of objects like shape and texture, properties of events like movement and duration, can make themselves known through several sensory channels; the common sensibles appear to correspond ...
內容
1 | |
11 | |
49 | |
Chapter 4 The Doctrine of Common Psychophysical Properties | 105 |
Chapter 5 The Doctrine of Neural Correspondences | 145 |
Chapter 7 Sound Symbolism in Poetry | 193 |
Chapter 8 Synesthetic Metaphor in Poetry | 211 |
References | 257 |
Name Index | 277 |
Subject Index | 285 |
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常見字詞
acoustical activity analogies appear arouse attributes auditory auditory system Baudelaire Békésy bitter brightness cells cold colored hearing common sensible Conrad Aiken correlated cortex cross-modal matching dark different modalities different senses dimensions discrimination doctrine Doctrine of Equivalent duration energy equivalence example expression Figure function haptic hashish high pitched intersensory intrinsic language light loudness low pitched magnitude meanings mediation nerve neural neurons noted objects odor perceived perception perhaps phenomenal physiological Poe's poem poet poetry principle processes produce properties proprioceptive psychological psychophysical receptor relation relationship representation resemble responses S. S. Stevens sensation sense modalities sensory correspondences sensory experience sensory qualities sensory systems shape sight similar skin smell sound frequency sound symbolism space spatial spatial summation speech stimulus stimulus intensity subjects suggest summation suprasensory sweet synesthesia synesthetic metaphor tactile tactual taste temporal theory tion tone touch transfer unity verbal vision visual images vowels W. S. Merwin warmth Weber's law words