The Unity of the Senses: Interrelations Among the ModalitiesAcademic Press, 2014年5月10日 - 302 頁 Academic Press Series in Cognition and Perception: The Unity of the Senses: Interrelations Among the Modalities focuses on the perceptual processes, approaches, and methodologies involved in studies on the unity of the senses. The publication first elaborates on the doctrines of equivalent information, analogous sensory attributes and qualities, and common psychophysical properties. Discussions focus on discrimination, sensitivity, sound symbolism, intensity, brightness, and cross-modal perception of size, form, and space. The text then examines the doctrine of neural correspondences and sound symbolism in poetry, including sound and meaning, analogue and formal representation, vowel symbolism in poetry, coding perceptual information, coding sensory attributes, and evolution and development. The manuscript takes a look at synesthetic metaphor in poetry, as well as unity of the senses and synesthetic metaphor, warm and cool colors, synesthetic metaphors of odor and music, metaphorical imperative, and the music of Conrad Aiken. The publication is a valuable source of data for researchers interested in the unity of the senses. |
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第 28 頁
... acoustically, positive transfer ensued; that is, learning was superior to that of control groups. When the patterns were structurally different, negative transfer ensued; that is, learning was inferior to that of control groups. What ...
... acoustically, positive transfer ensued; that is, learning was superior to that of control groups. When the patterns were structurally different, negative transfer ensued; that is, learning was inferior to that of control groups. What ...
第 30 頁
... Acoustical signals impinge on the two ears in a temporal relation that depends on the spatial location of the sound source. Whichever ear is closer to a source of sound gets the sound first. For instance, a sound that comes from one's ...
... Acoustical signals impinge on the two ears in a temporal relation that depends on the spatial location of the sound source. Whichever ear is closer to a source of sound gets the sound first. For instance, a sound that comes from one's ...
第 34 頁
... acoustical variations, together with changing interaural time cues, are normally correlated with correspondingly orderly variations in the size of the retinal image, and these systematic changes in auditory and visual stimulation serve ...
... acoustical variations, together with changing interaural time cues, are normally correlated with correspondingly orderly variations in the size of the retinal image, and these systematic changes in auditory and visual stimulation serve ...
第 44 頁
... acoustical frequency to be said to copy it? What of an object's perceived size and physical size? J. L. Austin (1962) raised an intriguing question, When (at what distance) does an object look its real size? First of all, we should ...
... acoustical frequency to be said to copy it? What of an object's perceived size and physical size? J. L. Austin (1962) raised an intriguing question, When (at what distance) does an object look its real size? First of all, we should ...
第 53 頁
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內容
1 | |
11 | |
49 | |
Chapter 4 The Doctrine of Common Psychophysical Properties | 105 |
Chapter 5 The Doctrine of Neural Correspondences | 145 |
Chapter 7 Sound Symbolism in Poetry | 193 |
Chapter 8 Synesthetic Metaphor in Poetry | 211 |
References | 257 |
Name Index | 277 |
Subject Index | 285 |
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常見字詞
acoustical activity analogies appear arouse attributes auditory auditory system Baudelaire Békésy bitter brightness cells cold colored hearing common sensible Conrad Aiken correlated cortex cross-modal matching dark different modalities different senses dimensions discrimination doctrine Doctrine of Equivalent duration energy equivalence example expression Figure function haptic hashish high pitched intersensory intrinsic language light loudness low pitched magnitude meanings mediation nerve neural neurons noted objects odor perceived perception perhaps phenomenal physiological Poe's poem poet poetry principle processes produce properties proprioceptive psychological psychophysical receptor relation relationship representation resemble responses S. S. Stevens sensation sense modalities sensory correspondences sensory experience sensory qualities sensory systems shape sight similar skin smell sound frequency sound symbolism space spatial spatial summation speech stimulus stimulus intensity subjects suggest summation suprasensory sweet synesthesia synesthetic metaphor tactile tactual taste temporal theory tion tone touch transfer unity verbal vision visual images vowels W. S. Merwin warmth Weber's law words