Fruitful Sites: Garden Culture in Ming Dynasty China

封面
Duke University Press, 1996 - 240 頁
Gardens are sites that can be at one and the same time admired works of art and valuable pieces of real estate. As the first account in English to be wholly based on contemporary Chinese sources, this innovative, beautifully illustrated book grounds the practices of garden-making in Ming dynasty China (1368-1644) firmly in the social and cultural history of the day.
Who owned Ming gardens? Who visited them? How were they represented in words, in paintings, and in visual culture generally, and what meanings did these representations hold at different levels of Chinese society? How did the discourse of gardens intersect with other discourses such as those of aesthetics, agronomy, geomancy, and botany? By examining the gardens of the city of Suzhou from a number of different angles, Craig Clunas provides a rich picture of a complex cultural phenomenon--one that was of crucial importance to the self-fashioning of the Ming elite.
Drawing on a wide range of recent work in cultural theory, the author provides for the first time a historical and materialist account of Chinese garden culture, and replaces broad generalizations and orientalist fantasy with a convincing picture of the garden's role in social life. Fruitful Sites will appeal to all students of China's cultural history, to students of garden history from any part of the world, to art historians, and to readers engaged in Asian and cultural studies.

 

內容

Acknowledgements
7
The Aesthetic Garden
60
The Gardens of the Wen Family
104
The Represented Garden
137
The Landscape of Number
177
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熱門章節

第 234 頁 - London's Encyclopaedia of Agriculture: comprising the Laying-out, Improvement, and Management of Landed Property, and the Cultivation and Economy of the Productions of Agriculture. With 1,100 Woodcuts. 8vo. 21s. London's Encyclopaedia of Gardening: comprising the Theory and Practice of Horticulture, Floriculture, Arboriculture, and Landscape Gardening.
第 234 頁 - Countries, a Statistical View of its present State, with Suggestions for its future progress in the British Isles ; and Supplement, bringing down the work to the year 1844.

關於作者 (1996)

Craig Clunas is Senior Lecturer in the History of Art at the University of Sussex.

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