From lips that spoil the ruby's praise, The blushing cheek speaks modest miod ; Why thus, my love, so kind bespeak * SIR J. HARRINGTON, * This piece, the product of the age of Elizabeth or James I, has undergone no other alteration in reprinting, than putting it into modern spelling. It is a specimen of the elegant simplicity which characterized that age of English poetry, and which was nearly lost in the succeeding age. The Graces and the wandering Loves Are fled to distant plains, To wound admiring swains. Who turns her careless eyes And conquers while she flies. But see! implored by moving prayers, To change the lover's pain, And brings the fair again. Think you, she 'll e'er resigo ? Or you, like her, divine. Round Round Love's elysian bowers The softest prospects rise ; There shine the purest skies; Round Love's deserted bowers Tremendous rocks arise ; Tornadoes rend the skies ; Then, youth, thou fond believer, The wily Syren shun; Will surely be undone : MONTGOMERY. TO CUPID. Child, with many a childish wile, Who is he whose flinty heart JOANNA BAILLIE. * In the tragedy of " Basil.” A SIGH. A SIGH. GENTLE air, thou breath of lovers, Vapour from a secret fire, Which by thee itself discovers, Ere yet daring to aspire: Softest note of whisper'd anguish, Harmony's refined part, Striking, while thou seem'st to languish, Full upon the list'ner's heart : Safest messenger of passion, Stealing thro' a cloud of spies, Which constrain the outward fashion, Close the lips, and guard the eyes : Shapeless sigh, we ne'er can show thee, Form'd but to assault the ear; Every nymph may read thee here. |