Laocoon; Or The Limits of Poetry and Painting

action actually admiration already ancient appear artist attributes beauty become body called character circumstance combined considered contrary critic deformity delineation describes disgust distinct effect employed end of volume entirely equally evident example excite executed exhibited existence expression eyes fact feeling figure follow former Furies give Greek hand Homer human idea Iliad imagination imitation instance kind Laocoon latter least less limits lines look Lysippus manner Mars means mention nature necessary never Note object observed once opinion pain painter painting particular passage perfect period picture Pliny poet poetic poetry possessed possible present probability produce reason reference regard remarks render represented Roman says sculptor seems separate shield shrieks sight simply single Sophocles speaking Spence statue story sufferings sufficient suppose taste thing tion traits Translator true Virgil whole Winkelmann