The Augustan VisionMethuen, 1978 - 318 頁 |
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第 1 到 3 筆結果,共 16 筆
第 31 頁
... Hogarth's engravings may be to try to smooth out their narrative line . We dismiss their jerky silent - film quality as a primitive error on Hogarth's part . Real life , we feel , is more adequately represented by cinematic sequences ...
... Hogarth's engravings may be to try to smooth out their narrative line . We dismiss their jerky silent - film quality as a primitive error on Hogarth's part . Real life , we feel , is more adequately represented by cinematic sequences ...
第 178 頁
... Hogarth ( 1697–1764 ) was only incidentally a writer , and not a very good one at that . Yet it has been a commonplace since the time of Lamb and Hazlitt that one ' reads ' the pictures of Hogarth as one might a book . Lamb actually ...
... Hogarth ( 1697–1764 ) was only incidentally a writer , and not a very good one at that . Yet it has been a commonplace since the time of Lamb and Hazlitt that one ' reads ' the pictures of Hogarth as one might a book . Lamb actually ...
第 179 頁
... Hogarth was to find a vision by finding a subject - matter . It was with The Harlot's Progress ( 1732 ) that Hogarth came before a wide public in his own unique fashion . The motive for these six prints was economic , but as it turned ...
... Hogarth was to find a vision by finding a subject - matter . It was with The Harlot's Progress ( 1732 ) that Hogarth came before a wide public in his own unique fashion . The motive for these six prints was economic , but as it turned ...
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