Musicology and Sister Disciplines: Past, Present, Future : Proceedings of the 16th International Congress of the International Musicological Society, London, 1997Oxford University Press, 2000 - 681 頁 Drawing on the work of leading experts from around the globe, Musicology and Sister Disciplines provides the definitive, authoritative statement on the scope of musicology today and its relationship to other fields of academic endeavour, including philosophy and aesthetics, literary studies, art history, mathematics, computer science, historiography, and sociology. These groundbreaking papers represent the outcome of a major musicological conference in 1997, and include contributions from the philosopher Bernard Williams and world-famous mathematician Roger Penrose. |
內容
Response | 4 |
Scholarship Authenticity Honesty | 9 |
Nineteen to the Dozen | 18 |
An Electrophysiological Approach | 33 |
Perception of Tonal Pitch Space and Tonal Tension | 47 |
The Timing Implications of Musical Structures | 60 |
A Schematization Process Based | 71 |
Empirical and Theoretical Contributions from | 88 |
Ethnography Ethnomusicology and PostWhite Theory | 439 |
Past Research and Future Projects | 457 |
Music andas Ethics | 463 |
Un artiste en son temps | 473 |
New Methods and Tools | 479 |
Musicology and Biography | 483 |
The Early Violin | 489 |
Transmission and Transformation | 496 |
Strong Experiences of and with Music | 100 |
John Sloboda | 109 |
Second Response to the Respondent | 115 |
Two Constructions of the Russian | 129 |
Ophelias Death and Feminist | 139 |
Some Thoughts on Past Present | 154 |
The Music of Rhetoric | 169 |
DIRECTIONS IN MUSICOLOGY | 179 |
Stefano Castelvecchi | 185 |
Margaret Bent | 191 |
Annegret Fauser | 205 |
Jürg Stenzl | 218 |
Closing Remarks | 226 |
The Problem of the French Revolution in Music Historiography | 239 |
Difficoltà della storiografia dellopera italiana | 251 |
The Enlightenment Tradition in Music | 263 |
SOCIOLOGY | 273 |
Ethnomusicology and Music Sociology | 288 |
A Perspective from | 299 |
Music from an Anthropological Perspective | 309 |
New Musics and Puzzled | 320 |
Music and Cultural Practices | 331 |
The Sociology of Music as SelfCritical Musicology | 342 |
Bibliography | 356 |
PHILOSOPHY | 367 |
Absolute Music and the New Musicology | 370 |
Peter Kivy | 378 |
Signs and Transcendence | 389 |
Probing their Limits | 401 |
Four Philosophies of Musical Interpretation | 409 |
CULTURAL POLITICS | 418 |
Beethovens Ironies | 428 |
British Music since Britten | 507 |
Theorizing the Transnational | 515 |
Eine zentrale | 521 |
Where Are We and Where Do We Go Now? | 528 |
Musikleben zwischen | 535 |
La vie musicale sous Vichy 19401944 | 541 |
Musicology and Art History | 548 |
Refugee Musicians in East Asia | 555 |
The History of the Papal Chapel | 557 |
History Performance Culture | 565 |
Redefining the Low Countries | 571 |
Fascism and Music | 578 |
LITURGY AND HOMILETICS | 585 |
How to Build an Alleluia | 586 |
Gounods Faust and the History | 592 |
Orlando di Lasso and Roman Courtesans | 597 |
A Cultural Context for | 602 |
Chladni as Musician Manqué | 607 |
Glosses on Music and Grammar and the Advent of MusicWriting | 612 |
Music and Technology | 617 |
Verse Forms in Oratorio Librettos written | 622 |
Oral Traditions and Performance Practices in the Encyclopedia | 627 |
Francesco Corradini | 632 |
The Equestrian | 637 |
A New Approach to Nineteenth | 642 |
Would You Like to Dance this Frottola? Choreographic | 647 |
Simple Formulas as Substitutes | 652 |
Polish Parody Songs from Nazi | 657 |
ANALYTICAL APPLICATIONS | 663 |
Toward a Model for Background Motivic Structure | 664 |
ShepherdMusicians in CatalanoAragonese Iconography from | 669 |
常見字詞
absolute music activity aesthetic analysis Anthropology approach artistic aspects Beethoven Berlioz Cambridge canon century chant chord cognitive composers composition concept context critical cultural Dasein disciplines discussion emotions Ethnomusicology Event-Related Potential example excerpt experience expressive Figure French gender genre hermeneutic human ideas identity incongruous instruments intellectual interpretation issues jazz Jon Jang language Lerdahl listeners literary London major chord Mark Izu means medieval music melody motet musi music history musical structure musicians musicology Musik non-musicians notation opera paper performance pianists piano piece pitch pitch class Pitch Space political polyphony popular music postmodern practice present problem Psychology question recent relation repertory rhetoric rhythmic role scale scholars scholarship segmentation semantic semiotics social society sociology Sonata song sonority sound Study Session style suggested syntonic comma tension theory time-points tion Tonal tradition understanding Western music