Rhetorical Analyses of Literary WorksEdward P. J. Corbett Oxford University Press, 1969 - 272页 |
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第xxvi页
... style with rhetoric is historically warranted , for not only was style the main preoccupation of some of the Greek and Roman sophists and all of the seventeenth - century dis- ciples of Peter Ramus , but style ( elocutio ) was ...
... style with rhetoric is historically warranted , for not only was style the main preoccupation of some of the Greek and Roman sophists and all of the seventeenth - century dis- ciples of Peter Ramus , but style ( elocutio ) was ...
第160页
... style to suit Renais- sance notions of decorum respecting genre , subject , and persons , with genre being the most impelling determinant . The general relationship between the figures and the styles , as conceived by men of the period ...
... style to suit Renais- sance notions of decorum respecting genre , subject , and persons , with genre being the most impelling determinant . The general relationship between the figures and the styles , as conceived by men of the period ...
第226页
... style of the speaker on this occasion , not with the poet's style in general . The grammar , previously exam- ined simply as such , must be re - examined for its stylistic effect . The syntactical compounding of the opening part ...
... style of the speaker on this occasion , not with the poet's style in general . The grammar , previously exam- ined simply as such , must be re - examined for its stylistic effect . The syntactical compounding of the opening part ...
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actually analysis answer Apologia appear argument arrangement audience beginning believe called cause chapter character Christian Church classical complex concern considered course death devices difference direct discourse discussion Donne Donne's Dryden effect Elizabethan Emma emotions English Essays established example fact feel figures final follows force given gives hate human important irony James Jane John kind Language least less lines literary logic meaning mind Mistress Modern Language Association moral nature Newman's object opening paragraph particular passage perhaps person persuasion play poem poet poetic poetry Pope position present principle proof prose provides question readers reading reason reference Renaissance response rhetorical criticism says seems sense sentence serve speak speaker speech stanza statement structure Studies style suggest Swift things third thought tion truth turn values whole writing York