Rhetorical Analyses of Literary WorksEdward P. J. Corbett Oxford University Press, 1969 - 272页 |
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共有 41 个结果,这是第 1-3 个
第106页
... principle is dispatched by daggers , the principle lives on in me , who continue the function of Caesar in the play . In the next act , the fourth , the persona itself will reappear momentarily as a ghost in Brutus ' tent - but on the ...
... principle is dispatched by daggers , the principle lives on in me , who continue the function of Caesar in the play . In the next act , the fourth , the persona itself will reappear momentarily as a ghost in Brutus ' tent - but on the ...
第187页
... principle " ; " the principle " ; " his business . " If one takes only the main clauses , there are four such abstract nouns as subjects , while only three main clauses have concrete and particular subjects ( " he , " or " they " ) . 3 ...
... principle " ; " the principle " ; " his business . " If one takes only the main clauses , there are four such abstract nouns as subjects , while only three main clauses have concrete and particular subjects ( " he , " or " they " ) . 3 ...
第189页
... principle " exists independently of its context . The multiplicity of relations - between narrator and object , and between the ideas in Strether's mind - held in even suspen- sion throughout the narrative , is presumably the main ...
... principle " exists independently of its context . The multiplicity of relations - between narrator and object , and between the ideas in Strether's mind - held in even suspen- sion throughout the narrative , is presumably the main ...
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actually analysis answer Apologia appear argument arrangement audience beginning believe called cause chapter character Christian Church classical complex concern considered course death devices difference direct discourse discussion Donne Donne's Dryden effect Elizabethan Emma emotions English Essays established example fact feel figures final follows force given gives hate human important irony James Jane John kind Language least less lines literary logic meaning mind Mistress Modern Language Association moral nature Newman's object opening paragraph particular passage perhaps person persuasion play poem poet poetic poetry Pope position present principle proof prose provides question readers reading reason reference Renaissance response rhetorical criticism says seems sense sentence serve speak speaker speech stanza statement structure Studies style suggest Swift things third thought tion truth turn values whole writing York