Rhetorical Analyses of Literary WorksEdward P. J. Corbett Oxford University Press, 1969 - 272页 |
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共有 19 个结果,这是第 1-3 个
第142页
... object . It seems to me that one side of the duke's nature is here stretched as far as it will go ; the dazzling figure threatens to decline into paltriness admitting moral judgment , when Browning retrieves it with two brilliant ...
... object . It seems to me that one side of the duke's nature is here stretched as far as it will go ; the dazzling figure threatens to decline into paltriness admitting moral judgment , when Browning retrieves it with two brilliant ...
第187页
... object sequence is considerably abated- " on his learning " ; " bespeaking a room ” ; “ not absolutely to desire ... objects . The main use of abstractions is to deal at the same time with many objects or events rather than single and ...
... object sequence is considerably abated- " on his learning " ; " bespeaking a room ” ; “ not absolutely to desire ... objects . The main use of abstractions is to deal at the same time with many objects or events rather than single and ...
第221页
... objects physically present before him and needing no formal identification . It is a common way of achieving dramatic immediacy , just as use of the indefinite a is a way of establishing distance between speaker and object . Furthermore ...
... objects physically present before him and needing no formal identification . It is a common way of achieving dramatic immediacy , just as use of the indefinite a is a way of establishing distance between speaker and object . Furthermore ...
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actually analysis answer Apologia appear argument arrangement audience beginning believe called cause chapter character Christian Church classical complex concern considered course death devices difference direct discourse discussion Donne Donne's Dryden effect Elizabethan Emma emotions English Essays established example fact feel figures final follows force given gives hate human important irony James Jane John kind Language least less lines literary logic meaning mind Mistress Modern Language Association moral nature Newman's object opening paragraph particular passage perhaps person persuasion play poem poet poetic poetry Pope position present principle proof prose provides question readers reading reason reference Renaissance response rhetorical criticism says seems sense sentence serve speak speaker speech stanza statement structure Studies style suggest Swift things third thought tion truth turn values whole writing York