the * * * heart, and is able to protect Afghanistan | and, but for the admirable tact of the chief himself, from the feeble Persians, though he may consequences might have been disagreeable. be exposed to some danger from Runject Sing and his gallant Sikhs. Our readers will probably agree with us when they read the following interesting narrative of his conversation. go "We left him at midnight, quite charmed with our reception, and the accomplished address and manners of Dost Mohammed Khan.”—Burnes, vol. i. p. 139. second interview. with him; and the doctor, being convalescent, ac"As the chief desired, I passed another evening companied me; Mr. Wolff had proceeded on his journey to India. Dost Mahommed Khan pleased us as much as ever; he kept us till long past midnight, and gave us a full insight into the political affairs of his country, and the unfortunate differences that exist between him and his brothers. He ex would accept his services as an auxiliary to root him Nor had our traveller less reason to be "He rose on our entrance (Lieutenant Burnes pleased with this intelligent ruler at a was accompanied by the celebrated missionary Mr. Wolff,) saluted us in the Persian fashion, and then desired us to be seated on a velvet carpet near himself. He assured us that we were welcome to his country; and, though he had seen few of us, he respected our nation and character. To this I replied as civilly as I could, praising the equity of his vernment, and the protection which he extended to the traveller and the merchant. When we sat down, we found our party consist of six or eight native gentlemen and three sons of the chief. We occupied a small but neat apartment, which had no other furni-pressed hopes of being able to restore the monarchy, evinced a cordial hatred towards Runjeet Sing, and ture than the carpet. The conversation of the eve-seemed anxious to know if the British Government ning was varied, and embraced such a number of topics, that I find it difficult to detail them; such was the knowledge, intelligence, and curiosity that the chief displayed. He was anxious to know the state of Europe, the number of kings, the terms on which they lived with one another; and, since it appeared that their territories were adjacent, how they existed without destroying each other. I named the different nations, sketched out their relative power, and informed him, that our advancement in civilization did no more exempt us from war and quarrels The historian, the antiquarian, and the than his own country; that we viewed each other's acts with jealousy, and endeavored to maintain a lover of classical learning, have in Burnes's balance of power, to prevent one king from over- delightful work the best account that has turning another. Of this, however, there were, added, various instances in European history; and yet been given of Alexander's route the chief himself had heard of Napoleon. He next through the provinces of the Indus, and requested me to inform him of the revenues of Eng- the impress which his mighty mind has land; how they were collected; how the laws were stamped upon remote Asia: in the same enacted; and what were the productions of the soil. pages alone can they find accurate inforHe perfectly comprehended our constitution from a won mation respecting the Bactrian kingdom, brief explanation; and said there was nothing wonderful in our universal success, since the only reve- where Greek civilization flourished like nue which we drew from the people was to defray an exotic, brilliant during a brief existthe debts and expenses of the state. Your wealth, ence, and then lost for ever. From these then,' added he, must come from India.' I assured him that the revenues of that country were spent in volumes the statesman will best learn the it; that the sole benefits derived from its possession policy of those countries that border on consisted in its being an outlet to our commerce; our dominions in India, and see whether and that the only wealth sent to the mother country they can be established as bulwarks consisted of a few hundred thousand pounds, and the fortunes taken away by the servants of the governagainst aggressive ambition, or whether ment. I never met an Asiatic who credited this fact they are to be dreaded as future agents in before. Dost Mahommed Khan observed, that this our expulsion from Hindústan. The mersatisfactorily accounts for the subjection of India. chant will consult the work to learn by You have left much of its wealth to the native princes; you have not had to encounter their de- what means the new commercial routes spair, and you are just in your courts.' He inquired here developed may be turned to advaninto the state of the Mahommedan principalities in tage; the general reader will delight in India, and as to the exact power of Runjeet Sing, the novelty of countries previously unexfor sparing whose country he gave us no credit. plored, and races hitherto unknown; while "Dost Mahommed Khan then turned to Mr. the philosopher will rejoice in witnessing Wolff for an explanation of his history; and, as he the devotion of great energies to a great was aware of that gentleman's vocation, he had assembled among the party several Mahommedan purpose. It is impossible, we think, for doctors, who were prepared to dispute on points of any reader to rise from the perusal of religion. Since I stood as Mr. Wolff's interpreter, Mr. Burnes's interesting volumes without I might proceed to make mention of the various ar- the strongest impression of his accuracy guments which were adduced on either side; but I of observation, patient inquiry, close addo not anticipate what the reverend gentleman will, no doubt, give to the world. As is usual on such herence to truth, and abstinence from subjects, the one party failed to convince the other; mere speculation. * * * Should trade be established on the In- | by danger or difficulty; and it is singular dus, it will be necessary to conciliate the that two such richly endowed travellers favor of the Afghans; and it is gratifying should at the same time have been engaged to learn that they are less prejudiced in exploring Asia. against Christians than most Mohammedan nations. But on this subject we cannot venture “The people seemed too busy in the exercise of The following account of the general character of the Afghan character is on the whole favorable. In expressing an earnest anxiety for the opening of a trade between Central Asia and the northern provinces of British India, we by no means regard the benefits that will result to British commerce as the only, or even the most important, consideration that merits our regard. We deem that the extension of such a commerce would greatly raise the social and "The language of the Afghans is Persian, but it is not the smooth and elegant tongue of Iran. Poosh-political condition of the natives of Hintoo is the dialect of the common people, but some of the higher classes cannot even speak it. The Afghans are a nation of children: in their quarrels they night, and become friends without any ceremony. They cannot conceal their feelings from one another, and a person with any discrimination may at all times pierce their designs. If they themselves are to be believed, their ruling vice is envy, which besets even the nearest and dearest relations. No people are more incapable of managing an intrigue. I was particularly struck with their idleness; they seem to sit listlessly for the whole day, staring at each other. How they live it would be difficult to discover, yet they dress well, and are healthy and happy. I imbibed a very favorable impression of their national character."-Burnes, vol. i. We shall not accompany Lieutenant Burnes in his visit to the court of Lahore, 28 in our recent review of Jacquemont's Letters from India we entered at large into the subject of the constitution of the Sikhs, and the character of their able sovereign, Runjeet Sing. A translation of Jacque mont's interesting correspondence, enriched with some additional letters addressed to influential British noblemen and gentlemen, which were unknown to the French editor, has just appeared, and we really. know not a more interesting and curious illustration of national character than the "alike but different" accounts which the Briton and the Frenchman give of the court of Lahore. Jacquemont's dash of lively enthusiasm, his characteristic mixture of the frivolous and the serious, his rapid arrival at conclusions without taking any particular notice of the premises, contrast strangely and strongly with the cautious investigation, cool reasoning, and plain common sense of Burnes. In both are exhibited a daring spirit of enterprise, a zeal for knowledge not to be conquered dustan, and our duties as well as our inter- "pudet hæc opprobria nobis ART. IV.--1. Sammlung Architectonischer 2. Versuch einer Darstellung des jetzigen Zustandes der Baukunst. Von C. A. Menzel. (Essay on the Present State of Architecture. By C. A. Menzel.) Berlin. 1832. 8vo. LITTLE more than half a century ago, 1 German literature was hardly known in caprices of the former style, this is, perthis country, even by name. Since that haps, not very surprising, although it is period matters are very much altered; for equally obvious that it has prevented Italy although the bulk of the English public from maintaining her former rank. She are still but little acquainted with that has stood nearly still while others have literature, and least of all with the most advanced-advanced, perhaps, with the valuable part of it, even the readers of our greater freedom and eagerness from being penny periodicals are aware of its exist unencumbered with the trammels of former ence. There are, however, even yet, not dignity, and consequently the more at libera few who are altogether ignorant of what ty to push directly forward to the goal. has been achieved by Germany in the A long-established, or we might say, an province of art. Without taking any inveterate reputation, is not overthrown great credit to ourselves for the prophecy, all at once. Those who pin their faith we may venture to predict, that for its pro- upon traditionary report, and who impliductions in architecture alone, that country citly adopt the opinions so generally curwill, at no great distance of time, claim rent some hundred years ago, and perthe attention of travelling students quite vading the criticism of that period, may, as much as Italy itself. It cannot, indeed, from not having considered this change of like Italy, boast of the remains of Roman circumstances, be somewhat staggered at art and magnificence; but it possesses our presumption in saying any thing that monuments in the Gothic style, which, of can tend to bring Italian architecture into themselves, would amply repay the labor of accurate investigation; and in addition to these, it now offers some of the most finished and classical structures of modern times-structures certainly no less worthy the architect's study than the most vaunt ed works of the cinquecento school beyond the Alps. Honestly speaking, they are even more so, being not only more pure in taste, but likewise better adapted to the actual wants of society. The superiority which Italy so long maintained in all matters of taste, had in it more of the relative than the positive. Her influence was in proportion to the deficiency of her neighbors; and men would as soon have dared to call in question the supreme authority of the pope himself some few centuries earlier, as to throw a doubt upon the talents of a Michael Angelo, a Palladio, or a Bernini, at the time their fame awed the world. Athens and Agrigentum, Postum and Pompeii, have since shaken our faith, and we have now discovered, not only that the Grecian orders are quite different things from those of Vignola, but that the genius of Grecian architecture altogether has very few points of resemblance indeed with the classical Italian style we have alluded to. Since the fresh impulse and new direction which have been given to the art by the discovery of forgotten or long-buried authorities, architecture has done comparatively very little in Italy, and in what it has done, it has evidently manifested quite as much hankering after its former tastes, as feeling for the genuine beauties and true relish of antiquity. Considering how very strongly opposed the refined yet severe charms of the latter are to the prettinesses, the puerilities and the discredit; or, as is more likely, instead of suffering their previous opinions to be disturbed, they will boldly appeal from us to their own favorite authorities. We have the comfort, however, of not standing alone, for although many deem it becoming to speak of the Palladian school with respect, if not with reverence, there are others, and not a few, both in this country and elsewhere, who, far from participating in the blind worship and admiration of Palladio and his works, or making allowance for his faults on the score of the time when he lived and his want of better guides, go the length of condemning his system in toto. Foremost among these is Mr. Hosking, the author of a treatise in the new edition of the Encyclopædia Britannica, which has since been published separately, and which, being an elementary work, is likely to make almost as many proselytes as it may have readers. There are, besides, certain indications of a more liberal spirit of criticism in matters of architectural taste growing up among us; and some contend that we ought not to be influenced by any authority; nay, one writer has lately asserted that our admiration of antiquity savors of bigotry, and that it would have been better that the temples of Greece had long ago perished, if the study of them is to supercede all invention on our part, and to hem in art with impassable boundaries. It must be admitted, indeed, * * Liberal as their opinions in the abstract may be, it must be confessed that some of the parties to whom wards Mr. Wilkins. Almost in the very same breath we here allude have not practised much liberality tothat they deprecate a slavish imitation of Greek models, they carp at him because he has introduced both tional Gallery. At the same time too that they are arched gateways and domes in his model for the Na that our affection for them has been too In what we have here said we have no Hence criticism has been rendered no less me- thus rigorous in the cause of a living artist, they show themselves far more indulgent than is necessary towards a dead one, refusing to see any thing but unqualified beauty in St. Martin's church; or, at least, if they perceive any defects, they most carefully avoid of character, for instance, do we meet mentioning them. This is, to say the least, very unwith in the Ionic! It exhibits to us a regufair, since it shows they are rather influenced by enmity towards an individual, than solicitous either for lar gammut, ascending from the severest the purity of architecture or for truth. Or, allowing them to be sincere, of what value is their praise if they simplicity up to the most elaborate eleThere is another circumstance prove that they are blind to some of the most glaring gance. instances of bad taste? Is there any man, we ask, who too, in Grecian architecture, which, alif he could see the portico and the body of that church apart from each other, would ever imagine they were though it constitutes its prevailing charm intended to be united? Is there even the very slight-independently of all minor beauties, has est similarity of style or taste between the windows been overlooked, at any rate not suffiand the order? Those of St. Martin's workhouse have just as much pretensions to the Corinthian character ciently dwelt upon by those who legislate as those of the church. Well! but the portico! True, for the art: we allude to that harmonious the portico itself is very fair, yet no absolute prodigy expression which pervades the whole of after all; and, as regards harmonizing with the rest of the structure, it might almost as well have been a structure, so that all the parts tend as it tacked to the workhouse itself. Although no very were to unite into one aggregate idea. great acumen has been displayed in the controversy Many modern edifices, on the contrary, against Mr. Wilkins, we are not sorry to find that any architectural question is capable of exciting so much and those by no means the least celebrainterest in the public mind; and we hope that the stir ted, seem, in comparison, to be built up made upon this occasion will induce many to give of fragments, beautiful, perhaps, in themmore attention to the subject, were it merely to pre-selves, but quite otherwise when regarded pare themselves better for any similar encounter." as parts of one whole. Consistency, so indispensable to every production of art, hardly enters at all into the system of architecture originally founded by the modern Italians upon the ancient-that is to say, the Roman-orders, and which has prevailed, with little change for the better, throughout Europe. Such change, however, has at length commenced, and should its future progress be commensurate with its promise, the next generation will behold edifices, not only exhibiting Grecian forms, but endued with Grecian spirit, that spirit too pervading every part, and animating the extremities and minutest members, no less than the trunk itself. Already has it been hinted that criticism is beginning to adopt a more liberal tone and more enlightened views, and among those whose writings are likely to have a beneficial influence, we may here mention Carl Menzel. Claiming for architecture as high a rank in its quality of one of the fine arts as in that of science, he calls upon us to bear in mind, that แ no work of art can ever be produced by skill and understanding alone, but that the inspiration of the artist ever has been, and ever must be, the source of that which confers aesthetic value on his productions. A piece of architecture in which there are any manifestations of genius is worked out in the same manner as a poem: invention, or the ground idea of the subject, must come first, and it is to this conception of the fancy that technical skill is afterwards to be applied, so as to work it up and to render practicable in construction what is originally the mere apprehension of beauty. This is the only true process: by adopting the opposite course we may, indeed, be able to obtain a structure in every respect well suited to its destination, but it can never possess that mysterious charm which genius alone can bestow; nor will it ever warm the beholder to admiration, al though he may not be able to deny that the builder has performed all that utility requires, or that mere reason ought to demand." We regret that the author of the intelligent little essay from which we have just quoted did not treat his subject more fully, and particularly that he has not elucidated his remarks by examples taken from some of the most remarkable works of modern architecture in Germany. These are also to be found among the most recent of all, for it is only within the last twenty years that the present school of the art in that country has established itself. Berlin and Munich may be considered as its head-quarters, and Schinkel and Klenze as its two most distinguished leaders. We have already spoken of both these artists in a former article in this journal (vol. vii. p. 458;) yet certainly not so fully as to render a further account of their works superfluous; besides which, any notice of Ger man architecture in which their names were not included, would too much resemble the performance of Hamlet, with 'the part of Hamlet omitted by particular desire.' Each of them is probably indebted in no small degree to favorable circumstances, not merely because they have had frequent opportunities of displaying their abilities, but because these circumstances were of a nature to stimulate them to the fullest exertion of their talents; and it cannot be denied that both have acquitted themselves worthily of the tasks confided to them. Were all their other works of little moment, there are two at least which it may be worth while to consider a little in detail, we mean the two National Galleries of Prussia and Bavaria; and, therefore, as the building now erecting in this metropolis for a similar purpose has excited so unusual a degree of interest at any rate provoked so much remark, for the most part too of a very acrimonious nature-our readers will hardly be displeased with our giving a comparative description of the foriegn edifices. Before we do so, however, we must be allowed to say something of the artists themselves, and of one or two of their contemporaries. Frederick Weinbrenner, their immediate predecessor, may also be considered as their forerunner in art-as having cleared the way for those who were to come after him. Although his works evince far more of methodical study than of original talent, and a very imperfect appreciation of either the genius or the powers of Grecian architecture, his design is comparatively pure, whatever may be thought of his composition. So far he forms an epoch, marking the transition, as it were, from the bombastic or the merely dry prosaic manner which prevailed till nearly the close of the last century, and the more artist-like style which has superseded it. If, moreover, he be not entitled to any very high rank for the excellence of his own productions, he acquires some distinction from his praise-worthy endeavors to put architecture upon a more liberal footing, and from his having been the parent, as we may term him, of a large proportion of the living architects of Germany. The names alone of these, his pupils, would form an extensive list; we shall therefore select that of George Moller, as one of the most eminent of them all, and as being familiarized to the admirers of Gothic architecture in this country, by his very interesting publication on that subject. To say the truth, that and his |