The Cambridge Companion to Shakespeare's History PlaysMichael Hattaway Cambridge University Press, 2002年12月5日 Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This 2002 volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike. |
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第 1 到 5 筆結果,共 38 筆
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Michael Hattaway. Robert S. Miola 13 Shakespeare's other historical plays R. A. Foakes 14 Theatrical afterlives StuartHamptonReeves PART 3: REFERENCE MATERIAL Principal andrecurrent characters in the English histories Genealogical tables ...
Michael Hattaway. Robert S. Miola 13 Shakespeare's other historical plays R. A. Foakes 14 Theatrical afterlives StuartHamptonReeves PART 3: REFERENCE MATERIAL Principal andrecurrent characters in the English histories Genealogical tables ...
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... theatrical productions the outcome ofthe action has beensignalled from the beginning, perhapsso thatthe audiencemight attendto constitutional degradation orthe particular chains of causation that generate the play's ending. In 2000 ...
... theatrical productions the outcome ofthe action has beensignalled from the beginning, perhapsso thatthe audiencemight attendto constitutional degradation orthe particular chains of causation that generate the play's ending. In 2000 ...
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... theatrical essaythat anatomises different claims to authority andportrays aRomish intervention inEnglish politics. Oneof its most prominent characters, Philip Faulconbridge, often referred to as 'the Bastard', derives from another ...
... theatrical essaythat anatomises different claims to authority andportrays aRomish intervention inEnglish politics. Oneof its most prominent characters, Philip Faulconbridge, often referred to as 'the Bastard', derives from another ...
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... theatrical settings. Elizabethan playhouses were not designed for illusion: therewas no question of constructing scenic likenessesof palace roomsor tavern'ordinaries', formal gardens orfields for battle.Whensuch places were evoked in ...
... theatrical settings. Elizabethan playhouses were not designed for illusion: therewas no question of constructing scenic likenessesof palace roomsor tavern'ordinaries', formal gardens orfields for battle.Whensuch places were evoked in ...
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... theatrical ritual: processions, music, formal speech. The ceremonies thatsustainthe state are often interrupted–that is the pattern of thearrested funeral of Henry Vat the beginning of1 Henry VI,of Saturninus' obstruction ofthe ...
... theatrical ritual: processions, music, formal speech. The ceremonies thatsustainthe state are often interrupted–that is the pattern of thearrested funeral of Henry Vat the beginning of1 Henry VI,of Saturninus' obstruction ofthe ...
內容
Shakespeare | |
Pageants masques and history | |
Elizabethan historiographyand Shakespeares sources | |
the poeticalreinvention | |
changing perspectives | |
Shakespeare andthe | |
Henry IVParts1and 2 | |
difference and identity | |
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