The Cambridge Companion to Shakespeare's History PlaysMichael Hattaway Cambridge University Press, 2002年12月5日 Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This 2002 volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike. |
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第 1 到 5 筆結果,共 90 筆
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Michael Hattaway. Robert S. Miola 13 Shakespeare's other historical plays R. A. Foakes 14 Theatrical afterlives StuartHamptonReeves PART 3: REFERENCE MATERIAL Principal andrecurrent characters in the English histories Genealogical tables ...
Michael Hattaway. Robert S. Miola 13 Shakespeare's other historical plays R. A. Foakes 14 Theatrical afterlives StuartHamptonReeves PART 3: REFERENCE MATERIAL Principal andrecurrent characters in the English histories Genealogical tables ...
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... English history, and its hero is constructed differently from the figure he cut in 3 Henry VI. In the play that bears hisname he isa figurein whom dissimulation has distorted personality, a manwhose shadow hasdisplaced hissubstance ...
... English history, and its hero is constructed differently from the figure he cut in 3 Henry VI. In the play that bears hisname he isa figurein whom dissimulation has distorted personality, a manwhose shadow hasdisplaced hissubstance ...
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... England's honour caste, and subjected monarchs, their courts, and the ideology of monarchy to a scrutiny as searching asthat to whichthey had been exposedinthe moralityplays. Truth. and. realism. Henry VIIImay have beencalled 'All is true ...
... England's honour caste, and subjected monarchs, their courts, and the ideology of monarchy to a scrutiny as searching asthat to whichthey had been exposedinthe moralityplays. Truth. and. realism. Henry VIIImay have beencalled 'All is true ...
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... historical 'accuracy'. Not all characters are historical, some were composites as with Mortimerin1 HenryVI, 19 otherswere ... England. Shakespeare, therefore, wasconcerned not justwith chronicleandpersonality but withinstitutions: in ...
... historical 'accuracy'. Not all characters are historical, some were composites as with Mortimerin1 HenryVI, 19 otherswere ... England. Shakespeare, therefore, wasconcerned not justwith chronicleandpersonality but withinstitutions: in ...
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... history plays stiffened the sinews and summoned up the blood of Englishmen, 26thereare grounds for conjecturing that Shakespeare mayhave provoked ratherthan pleased those who wouldcontrol the politicalculture of England. At the ...
... history plays stiffened the sinews and summoned up the blood of Englishmen, 26thereare grounds for conjecturing that Shakespeare mayhave provoked ratherthan pleased those who wouldcontrol the politicalculture of England. At the ...
內容
Shakespeare | |
Pageants masques and history | |
Elizabethan historiographyand Shakespeares sources | |
the poeticalreinvention | |
changing perspectives | |
Shakespeare andthe | |
Henry IVParts1and 2 | |
difference and identity | |
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