Theories of the Theatre: A Historical and Critical Survey from the Greeks to the PresentCornell University Press, 1993 - 553 頁 Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory. |
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第 1 到 3 筆結果,共 78 筆
第 252 頁
... individual : “ All action , when confronted with fate , that is with the world - will , dissolves into suffering . " 10 As a simile for life , Hebbel suggests a great river in which individuals are lumps of ice that must inevitably be ...
... individual : “ All action , when confronted with fate , that is with the world - will , dissolves into suffering . " 10 As a simile for life , Hebbel suggests a great river in which individuals are lumps of ice that must inevitably be ...
第 300 頁
... individual man . These have only been repressed , not obliterated , and in tragedy they rise temporarily to the surface . Art must always express the individual , because that is the nature of the hidden world . The great tragic heroes ...
... individual man . These have only been repressed , not obliterated , and in tragedy they rise temporarily to the surface . Art must always express the individual , because that is the nature of the hidden world . The great tragic heroes ...
第 360 頁
... individual and individual passion . In Shakespeare this " is carried to such a high degree of tension that it outgrows the individual , becomes super - personal , and is transformed into fate of a certain kind . " As the romantics ...
... individual and individual passion . In Shakespeare this " is carried to such a high degree of tension that it outgrows the individual , becomes super - personal , and is transformed into fate of a certain kind . " As the romantics ...
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achieved acting action actor aesthetic analysis appeared approach argues Aristotle Aristotle's aroused Artaud artistic attempt audience authors Averroës Brecht calls century character classic comedy comedy and tragedy concept concerns condemns conflict considered contemporary Corneille create critical cultural developed Diderot drama dramatic theory dramatist elements emotional emphasis Encyclopédie English essay essentially expression expressionism feel French genre German goal Goethe Greek Hegel hero historical human Ibid idea ideal imitation individual interest language literary literature Lukács major Meyerhold Minturno modern Molière moral nature neoclassic neoclassicism observations Oeuvres Paris passions performance play pleasure plot poet poetic poetry political preface production Racine realism reality rejected romantic romanticism rules says Scaliger Schiller Schlegel seek semiotic Shakespeare significant social society specific spectacle spectator stage Stanislavski structure suggests symbolist theatre theatrical theoretical theorists traditional tragic tragic hero tragicomedy trans Tulane Drama Review unity University verisimilitude vision vols Voltaire writings York Zola