Theories of the Theatre: A Historical and Critical Survey from the Greeks to the PresentCornell University Press, 1993 - 553 頁 Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory. |
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第 1 到 3 筆結果,共 81 筆
第 113 頁
... English Stage ( 1664 ) , which prefaced his play Love's Kingdom . Flecknoe's clear preference is for the sparer French style of drama ; English plots suffer from " huddling too much matter together " so that author and auditors alike ...
... English Stage ( 1664 ) , which prefaced his play Love's Kingdom . Flecknoe's clear preference is for the sparer French style of drama ; English plots suffer from " huddling too much matter together " so that author and auditors alike ...
第 122 頁
... English comedy , which he considered richer and livelier than that of the ancients or of other modern nations . The cause , Temple thought , was the English climate , ease of life , and freedom of expression , which allowed the ...
... English comedy , which he considered richer and livelier than that of the ancients or of other modern nations . The cause , Temple thought , was the English climate , ease of life , and freedom of expression , which allowed the ...
第 146 頁
... English plays , though often monstrous , have vigor and admi- rable scenes . They demonstrate that artists of genius ... English and are addressed , in defiance of tradition , to an English merchant . The only important literary debt to ...
... English plays , though often monstrous , have vigor and admi- rable scenes . They demonstrate that artists of genius ... English and are addressed , in defiance of tradition , to an English merchant . The only important literary debt to ...
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achieved acting action actor aesthetic analysis appeared approach argues Aristotle Aristotle's aroused Artaud artistic attempt audience authors Averroës Brecht calls century character classic comedy comedy and tragedy concept concerns condemns conflict considered contemporary Corneille create critical cultural developed Diderot drama dramatic theory dramatist elements emotional emphasis Encyclopédie English essay essentially expression expressionism feel French genre German goal Goethe Greek Hegel hero historical human Ibid idea ideal imitation individual interest language literary literature Lukács major Meyerhold Minturno modern Molière moral nature neoclassic neoclassicism observations Oeuvres Paris passions performance play pleasure plot poet poetic poetry political preface production Racine realism reality rejected romantic romanticism rules says Scaliger Schiller Schlegel seek semiotic Shakespeare significant social society specific spectacle spectator stage Stanislavski structure suggests symbolist theatre theatrical theoretical theorists traditional tragic tragic hero tragicomedy trans Tulane Drama Review unity University verisimilitude vision vols Voltaire writings York Zola