Coming of Age in ShakespeareMethuen, 1981 - 248 頁 **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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第 1 到 3 筆結果,共 18 筆
第 224 頁
... face when he brought down the tablets of the law , and alleges that the children of Israel have since been symboli- cally veiled , prevented from seeing the truth of Christ . Chris- tians , he says , ' use great plainness of speech ...
... face when he brought down the tablets of the law , and alleges that the children of Israel have since been symboli- cally veiled , prevented from seeing the truth of Christ . Chris- tians , he says , ' use great plainness of speech ...
第 233 頁
... face the final crisis and do not come back . Most obviously this is true of the protagonists of tragedy , for whom , as for Lear , the experience of the play is also the experience of learning to die . By expanding our perspective we ...
... face the final crisis and do not come back . Most obviously this is true of the protagonists of tragedy , for whom , as for Lear , the experience of the play is also the experience of learning to die . By expanding our perspective we ...
第 243 頁
... face , and to see that his face is our own . In this sense the acknowledgment of Caliban is an act analogous to the other gestures by which Prospero signifies his acceptance of death : the drowning of his book and the releasing of Ariel ...
... face , and to see that his face is our own . In this sense the acknowledgment of Caliban is an act analogous to the other gestures by which Prospero signifies his acceptance of death : the drowning of his book and the releasing of Ariel ...
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常見字詞
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young