Coming of Age in ShakespeareMethuen, 1981 - 248 頁 **** Reprint of the 1981 edition (which is cited in BCL3). Annotation copyrighted by Book News, Inc., Portland, OR |
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第 1 到 3 筆結果,共 32 筆
第 73 頁
... Coriolanus unmuffles himself : Coriolanus Not yet thou know'st me . Commands me name myself . Aufidius If , Tullus , • necessity What is thy name ? Say , what's thy name ? Coriolanus A name unmusical to the Volscians ' ears , And harsh ...
... Coriolanus unmuffles himself : Coriolanus Not yet thou know'st me . Commands me name myself . Aufidius If , Tullus , • necessity What is thy name ? Say , what's thy name ? Coriolanus A name unmusical to the Volscians ' ears , And harsh ...
第 75 頁
... Coriolanus at last appears : ' My son Coriolanus ... O my son , my son ! ' ( 70 ) . We may be reminded of Falstaff's ill - chosen cry , ' God save thee , my sweet boy ! ' ( 2HIV v . v . 43 ) addressed to the newly crowned king . For ...
... Coriolanus at last appears : ' My son Coriolanus ... O my son , my son ! ' ( 70 ) . We may be reminded of Falstaff's ill - chosen cry , ' God save thee , my sweet boy ! ' ( 2HIV v . v . 43 ) addressed to the newly crowned king . For ...
第 76 頁
... Coriolanus ' longs more pride Than pity to our prayers ' ( 158-71 ) . And this reversal has its intended effect , though Coriolanus is perceptive enough to see that such pity is ' most mortal to him ' ( v . iii . 189 ) . No longer an ...
... Coriolanus ' longs more pride Than pity to our prayers ' ( 158-71 ) . And this reversal has its intended effect , though Coriolanus is perceptive enough to see that such pity is ' most mortal to him ' ( v . iii . 189 ) . No longer an ...
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常見字詞
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night observed offers once passage pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young