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Academy Allan American appeared attempt attention beautiful believe called character connection contained continued course criticism critique death deemed early Edgar edition editor effect evidence existence fact feel frequently genius give given Graham's Graham's Magazine hand heart hope idea imagination interest John Journal known lady late least less letter lines literary living Magazine matter means memory Messenger mind months mother nature never obtained once opinion original passion period Poe's poem poet poet's poetic poetry Point portion present probably publication published readers reason received referred regard remarks respect Richmond seems seen short similar speak spirit story suggested tale things thought tion true truth verses volume whilst whole wife writing written wrote York young youthful
第 128 頁 - And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea, But we loved with a love that was more than love, I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of...
第 201 頁 - In a word, we must be in that mood which, as nearly as possible, is the exact converse of the poetical. He must be blind indeed who does not perceive the radical and chasmal differences between the truthful and the poetical modes of inculcation. He must be theory-mad beyond redemption who, in spite of these differences, shall still persist in attempting to reconcile the obstinate oils and waters of Poetry and Truth.
第 275 頁 - Achilles' image stood his spear, Grip'd in an armed hand; himself behind Was left unseen, save to the eye of mind : A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined.
第 90 頁 - And now she's at the pony's tail, And now she's at the pony's head, On that side now, and now on this, And almost stifled with her bliss, A few sad tears does Betty shed.
第 201 頁 - I would define, in brief, the poetry of words as the rhythmical creation of beauty. Its sole arbiter is taste. With the intellect or with the conscience, it has only collateral relations; unless, incidentally, it has no concern whatever either with duty or with truth.
第 92 頁 - ... having, for its object, an indefinite instead of a definite pleasure, being a poem only so far as this object is attained ; romance presenting perceptible images with definite, poetry with indefinite sensations, to which end music is an essential, since the comprehension of sweet sound is our most indefinite conception. Music, when combined with a pleasurable idea, is poetry ; music, without the idea, is simply music ; the idea, without the music, is prose, from its very definitiveness.
第 19 頁 - From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions. I was especially fond of animals, and was indulged by my parents with a great variety of pets.
第 200 頁 - With as deep a reverence for the True as ever inspired the bosom of man, I would nevertheless limit, in some measure, its modes of inculcation. I would limit, to enforce them. I would not enfeeble them by dissipation. The demands of Truth are severe. She has no sympathy with the myrtles. All that which is so indispensable in Song is precisely all that with which she...
第 209 頁 - With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea.