Eyes of Love: The Gaze in English and French Paintings and Novels, 1840-1900
Reaktion Books, 1996 - 283 頁
Eyes of Love argues against a widely held theory about 'the gaze' 6 that women are merely passive erotic objects, while men are active erotic subjects.
"Stephen Kern focuses our attention on eyes and the meaning they convey. This simple idea, here brilliantly developed, uncovers patterns of composition which unite the French Impressionists with late Victorian artists."--The Independent
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active actual appears argues argument artists beauty become body centre commitment composition created culture dangerous dark Degas depicted desire direction double emotional especially evidence explains expression eyes face female figure final French frontal Gallery give glance hand head holds human husband illus images included indicated inspired intently interest interpretation John later less light lives London look lovers male gaze man's Manet marriage Mary means Misogyny moral Museum naked nature never novel nude object offer oil on canvas painting Paris posed position possible proposal prostitutes question Quoted reflection relations remains Renoir rescue responsibility reveals role scene seated seduced seems seen sense sexual shadow shown shows side standard standing subjectivity suggests superior symbol thoughts turned Victorian viewer visible vision visual wants wife woman women York