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“Most musical, most melancholy” Bird 1"
A melancholy Bird? Oh! idle thought !
In nature there is nothing melancholy.
But some night-wandering man, whose heart was
pierced
With the remembrance of a grievous wrong,
Or slow distemper, or neglected love,
(And so poor Wretch I filled all things with himself
And made all gentle sounds tell back the tale
Of his own sorrow) he, and such as he,
First named these notes a melancholy strain:
And many a poet echoes the conceit;
Poet who hath been building up the rhyme
When he had better far have stretched his limbs
Beside a brook in mossy forest-dell,
By Sun or Moon-light, to the influxes .
Of shapes and sounds and shifting elements
Surrendering his whole spirit, of his song
And of his fame forgetful...! so his fame

* “Most Musical, Most M FLANcholy.”] This passage in Milton possesses an excellence far superior to that of mere description. It is spoken in the character of the melancholy man, and has therefore a dramatic propriety. The author makes this remark, to rescue himself from the charge of having alluded with levity, to a line in Milton ; a charge than which none could be more painful to him, except perhaps that of having ridiculed his Bible.

Should share in Nature's immortality,
A venerable thing! and so his song
Should make all Nature lovelier, and itself
Be loved like Nature But 'twill not be so;
And youths and maidens most poetical,
Who lose the deepening twilights of the spring
In ball-rooms and hot theatres, they still
Full of meek sympathy must heave their sighs
O'er Philomela's pity-pleading strains.

My Friend, and thou, our Sister 1 we have learnt A different lore: we may not thus profane Nature's sweet voices, always full of love And joyance 1 'Tis the merry Nightingale That crowds, and hurries, and precipitates With fast thick warble his delicious notes, As he were fearful that an April night Would be too short for him to utter forth His love-chant, and disburthen his full soul Of all its music I

And I know a grove Of large extent, hard by a castle huge, Which the great lord inhabits not; and so This grove is wild with tangling underwood, And the trim walks are broken up, and grass,

Thin grass and king-cups grow within the paths.
But never elsewhere in one place I knew
So many Nightingales; and far and near,
In wood and thicket, over the wide grove,
They answer and provoke each other's song,
With skirmish and capricious passagings,
And murmurs musical and swift jug jug,
And one low piping Sound more sweet than all—
Stirring the air with such an harmony,
That should you close your eyes, you might almost
Forget it was not day! On Moonlight bushes,
Whose dewy leaflets are but half disclosed,
You may perchance behold them on the twigs,
Their bright, bright eyes, their eyes both bright and

full,
Glistening, while many a glow-worm in the shade
Lights up her love-torch.

A most gentle Maid, Who dwelleth in her hospitable home Hard by the castle, and at latest eve (Even like a Lady vowed and dedicate To something more than Nature in the grove Glides through the pathways; she knows all their notes, That gentle Maid! and oft a moment's space, What time the Moon was lost behind a cloud,

Hath heard a pause of silence; till the Moon
Emerging, hath awakened earth and sky
With one sensation, and these wakeful Birds
Have all burst forth in Choral minstrelsy,
As if some sudden Gale had swept at once
An hundred airy harps! And she hath watched
Many a Nightingale perched giddily
On blossomy twig still swinging from the breeze,
And to that motion tune his wanton song
Like tipsy joy that reels with tossing head.

Farewell, O Warbler! till to-morrow eve, And you, my friends ! farewell, a short farewell ! We have been loitering long and pleasantly, And now for our dear homes.—That strain again : Full fain it would delay me ! My dear babe, Who, capable of no articulate sound, Mars all things with his imitative lisp, How he would place his hand beside his ear, His little hand, the small forefinger up, And bid us listen And I deem it wise To make him Nature's Play-mate. He knows well The evening-star; and once, when he awoke In most distressful mood (some inward pain Had made up that strange thing, an infant's dream) I hurried with him to our orchard-plot,

VOL. I. s

And he beheld the Moon, and, hushed at once,
Suspends his sobs, and laughs most silently,
While his fair eyes, that swam with undropped tears
Did glitter in the yellow moon-beam Well—
It is a father's tale: But if that Heaven
Should give me life, his childhood shall grow up
Familiar with these songs, that with the night
He may associate joy! Once more farewell,
Sweet Nightingale! Once more my friends! farewell.

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