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Per. I am Pericles of Tyre: but tell me now My drown'd queen's name, as in the rest you said

Thou hast been godlike perfect,

†The heir of kingdoms and another like To Pericles thy father.

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Mar. Is it no more to be your daughter than To say my mother's name was Thaisa ? Thaisa was my mother, who did end The minute I began.

Per. Now, blessing on thee! rise; thou art my child.

[canus ; Give me fresh garments. Mine own, HeliShe is not dead at Tarsus, as she should have been,

By savage Cleon: she shall tell thee all; When thou shalt kneel, and justify in knowledge

She is thy very princess. Who is this?
Hel. Sir, 'tis the governor of Mytilene,
Who, hearing of your melancholy state,
Did come to see you.

I embrace you.

220

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Sir, lend me your arm. Per. Come, my Marina. [Exeunt.

SCENE II. Enter GOWER, before the temple of DIANA at Ephesus.

Gow. Now our sands are almost run;

More a little, and then dumb.

This, my last boon, give me,

[ing.

For such kindness must relieve me, That you aptly will suppose

Per. Give me my robes. I am wild in my beholdO heavens bless my girl! But, hark, what

music?

Tell Helicanus, my Marina, tell him
O'er, point by point, for yet he seems to doubt,
How sure you are my daughter. But, what
music?

Hel. My lord, I hear none. Per. None!

230

The music of the spheres! List, my Marina. Lys. It is not good to cross him; give him way.

Per. Rarest sounds! Do ye not hear?
Lys.
My lord, I hear. [Music.
Per. Most heavenly music!
It nips me unto listening, and thick slumber
Hangs upon mine eyes: let me rest. [Sleeps.
Lys. A pillow for his head :

So, leave him all. Well, my companion friends,
If this but answer to my just belief,
I'll well remember you.

240 [Exeunt all but Pericles. DIANA appears to PERICLES as in a vision. Dia. My temple stands in Ephesus: hie thee thither,

And do upon mine altar sacrifice. [gether, There, when my maiden priests are met toBefore the people all,

Reveal how thou at sea didst lose thy wife : To mourn thy crosses, with thy daughter's, call And give them repetition to the life.

Or perform my bidding, or thou livest in woe; Do it, and happy; by my silver bow!

What pageantry, what feats, what shows,
What minstrelsy, and pretty din,
The regent made in Mytilene
To greet the king. So he thrived,
That he is promised to be wived
To fair Marina; but in no wise
Till he had done his sacrifice,
As Dian bade: whereto being bound,
The interim, pray you, all confound.
In feather'd briefness sails are fill'd,
And wishes fall out as they're will'd.
At Ephesus, the temple see,
Our king and all his company.
That he can hither come so soon,
Is by your fancy's thankful doom.

270

280

[Exit.

SCENE III. The temple of Diana at Ephesus; THAISA standing near the altar, as high priestess; a number of Virgins on each side; CERIMON and other Inhabitants of Ephesus attending.

Enter PERICLES, with his train; LYSIMACHUS, HELICANUS, MARINA, and a Lady.

Per. Hail, Dian! to perform thy just command,

I here confess myself the king of Tyre;
Who, frighted from my country, did wed
At Pentapolis the fair Thaisa.

At sea in childbed died she, but brought forth
A maid-child call'd Marina; who, O goddess,
Wears yet thy silver livery. She at Tarsus
Was nursed with Cleon; who at fourteen years

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Thai.

'Twas Helicanus then.

Per. Still confirmation: Embrace him, dear Thaisa; this is he. Now do I long to hear how you were found; How possibly preserved; and who to thank, Besides the gods, for this great miracle

Thai. Lord Cerimon, my lord; this man, Through whom the gods have shown the r power; that can 60 From first to last resolve you.

Per.

Reverend sir, The gods can have no mortal officer More like a god than you. Will you deliver How this dead queen re-lives?

Cer.
I will, my lord.
Beseech you, first go with me to my house,
Where shall be shown you all was found with
her;

How she came placed here in the temple;
No needful thing omitted.

Per. Pure Dian, bless thee for thy vision! 1 Will offer night-oblations to thee. Thaisa, 70 This prince, the fair-betrothed of your daugh ter,

Shall marry her at Pentapolis. And now,
This ornament

Makes me look dismal will I clip to form ;
And what this fourteen years no razor touch'd,
To grace thy marriage-day, I'll beautify.
Thai. Lord Cerimon hath letters of good
credit, sir,
My father's dead.

Per. Heavens make a star of him! Yet there, my queen,

We'll celebrate their nuptials, and ourselves Will in that kingdom spend our following

days:

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CYMBELINE.

(WRITTEN ABOUT 1609.)

INTRODUCTION.

Cymbeline interweaves with a fragment of British history taken from Holinshed, a story from Boccacio's Decameron (9th Novel of 2nd Day), the Genevra of the Italian novel corresponding to Shakespeare's Imogen. The story is told in a tract called Westward for Smelts, 1620 (stated by Steevens and Malone to have been published as early as 1603); but Shakespeare appears in some way, directly or indirectly, to have made acquaintance with it as given by Boccacio. The names of the two princes Shakespeare found, as well as the king's name, in Holinshed; but the incidents of their having been stolen, and their life, among the mountains of Wales, appear to have been invented by the dramatist. Dr. Forman records in his MS Booke of Plaies and Notes thereof that he saw Cymbeline acted; but he gives no date. His book, however, belongs to the years 1610-1611, and the metrical and other internal evidence point to that time as about the period when the drama must have been written. It is loosely constructed, and some passages possess little dramatic intensity. Several critics have questioned whether the vision of Posthumus (Act V. Sc. IV.) is of Shakespeare's authorship, and it is certainly poorly conceived and written. Nevertheless, the play is one of singular charm, and contains in Imogen one of the loveliest of Shakespeare's creations of female character. Except grandeur and majesty, which were reserved for Hermione and Queen Katherine, every thing that can make a woman lovely is given by the poet to Imogen: quick and exquisite feelings, brightness of intellect, delicate imagination, energy to hate evil and to right what was wrong, scorn for what is mean or rude, culture, dainty womanly accomplishments, the gift of song, a capacity for exquisite happiness and no less sensitiveness to the sharpness of sorrow, a power of quick recovery from disaster when the warmth of love breathes upon her once more, beauty of a type which is noble and refined. And her lost brothers are gallant youths, bred happily far from the court, in wilds where their generous instincts and love of freedom and activity find innocent if insufficient modes of gratification. As in all the works of this period, an open-air feeling pervades a great part of the drama; nature, itself joyous and free, ministers to what is beautiful, simple, or heroic in man, while yet by Shakespeare nature alone is never anywhere conceived as sufficient to satisfy the heart or the imagination of a human being. With reconciliation and reunion this, like the other Romances, closes. The faith of Posthumus in Imogen is of a half-romantic kind, unconfirmed by calm and deep acquaintance with her heart: that faith is not subtly poisoned, like the love of Othello, but suddenly, in one brief and desperate encounter, overthrown, His jealousy is not heroic, like Othello's; it shows something of grossness, unworthy of his true self. In due time penitential sorrow does its work, his nobler nature reasserts itself, and in the final reunion of parent and lost children, the erring husband is also restored to the quick-beating, joyous heart of his wife.

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Two British Captains.

A Frenchman, friend to Philario.
Two Lords of Cymbeline's court.
Two Gentlemen of the same.
Two Gaolers.

Queen, wife to Cymbeline.

IMOGEN, daughter to Cymbeline by a former queen.

HELEN, a lady attending on Imogen.

Lords, Ladies, Roman Senators, Tribunes, a Soothsayer, a Dutchman, a Spaniard, Musicians, Officers, Captains, Soldiers, Messengers, and other Attendants.

Apparitions.

SCENE: Britain; Rome.

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Sec. Gent.

But what's the matter? First Gent. His daughter, and the heir of's kingdom, whom

He purposed to his wife's sole son-a widow That late he married-hath referr'd herself Unto a poor but worthy gentleman: she's wedded;

Her husband banish'd; she imprison'd all
Is outward sorrow; though I think the king
Be touch'd at very heart.

Sec. Gent.
None but the king? 10
First Gent. He that hath lost her too; so is
the queen,

That most desired the match; but not a courtier,

Although they wear their faces to the bent
Of the king's look's, hath a heart that is not
Glad at the thing they scowl at.
Sec. Gent.
And why so?
First Gent. He that hath miss'd the prin-
cess is a thing

Too bad for bad report: and he that hath her

I mean, that married her, alack, good man! And therefore banish'd-is a creature such 19 As, to seek through the regions of the earth For one his like, there would be something failing

In him that should compare. I do not think So fair an outward and such stuff within Endows a man but he.

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What's his name and birth? First Gent. I cannot delve him to the root: his father

30

Was call'd Sicilius, who did join his honor
Against the Romans with Cassibelan,
But had his titles by Tenantius whom
He served with glory and admired success,
So gain'd the sur-addition Leonatus ;
And had, besides this gentleman in question,
Two other sons, who in the wars o' the time
Died with their swords in hand; for which
their father,

Then old and fond of issue, took such sorrow
That he quit being, and his gentle lady,
Big of this gentleman our theme, deceased
As he was born. The king he takes the babe
To his protection, calls him Posthumus Leon-

atus,

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Breeds him and makes him of his bed-chamber, Puts to him all the learnings that his time

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Queen.

Re-enter QUEEN.

Be brief, I pray you: 101 If the king come, I shall incur I know not How much of his displeasure. [Aside] Yet I'll move him

To walk this way: I never do him wrong, But he does buy my injuries, to be friends; Pays dear for my offences.

[Exit. Post. Should we be taking leave As long a term as yet we have to live, The loathness to depart would grow. Adieu! Imo. Nay, stay a little :

Were you but riding forth to air yourself, 110
Such parting were too petty. Look here, love;
This diamond was my mother's: take it,
heart;

But keep it till you woo another wife,
When Imogen is dead.

Post.
How, how! another?
You gentle gods, give me but this I have,
And sear up my embracements from a next
With bonds of death! [Putting on the ring.]
Remain, remain thou here

While sense can keep it on. And, sweetest, fairest,

As I my poor self did exchange for you,
To your so infinite loss, so in our trifles

I still win of you: for my sake wear this;
It is a manacle of love; I'll place it
Upon this fairest prisoner.

Imo.

120

[Putting a bracelet upon her arm. O the gods!

When shall we see again?

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What, art thou mad? Imo. Almost, sir: heaven restore me! Would I were

A neat-herd's daughter, and my Leonatus
Our neighbor shepherd's son !
Cym.

Thou foolish thing! 150
Re-enter QUEEN.

They were again together: you have done
Not after our command. Away with her,
And pen her up.

Queen.

Beseech your patience. Peace, Dear lady daughter, peace! Sweet sovereign, Leave us to ourselves; and make yourself

some comfort Out of your best advice. Сут.

Nay, let her languish A drop of blood a day; and, being aged, Die of this folly!

Queen.

[Exeunt Cymbeline and Lords. Fie! you must give way. Enter PISANIO.

Here is your servant. How now, sir! What

news?

Pis. My lord your son drew on my master. Queen.

No harm, I trust, is done?

Ha! 160

Pis.
There might have been,
But that my master rather play'd than fought
And had no help of anger: they were parted
By gentlemen at hand.

Queen.
I am very glad on't.
Imo. Your son's my father's friend; he
takes his part.

To draw upon an exile! O brave sir!

I would they were in Afric both together;

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