Sanity, Madness, Transformation: The Psyche in Romanticism
University of Toronto Press, 2005年1月1日 - 278 頁
In Sanity, Madness, Transformation, Ross Woodman offers an extended reflection on the relationship between sanity and madness in Romantic literature. Woodman is one of the field's most distinguished authorities on psychoanalysis and romanticism. Engaging with the works of Northrop Frye, Jacques Derrida, Sigmund Freud, and Carl Jung, he argues that madness is essential to the writings of William Blake, William Wordsworth, and Percy Shelley, and that it has been likewise fundamental to the emergence of the modern subject in psychoanalysis and literary theory. For Frye, madness threatens humanism, whereas for Derrida its relationship is more complex, and more productive. Both approaches are informed by Freudian and Jungian responses to the psyche, which, in turn, are drawn from an earlier Romantic ambivalence about madness.
This work, which began as a collection of Woodman's essays assembled by colleague Joel Faflak, quickly evolved into a new book that approached Romanticism from an original psychoanalytic perspective by returning madness to its proper place in the creative psyche. Sanity, Madness, Transformation is a provocative hybrid of theory, literary criticism, and autobiography and is yet another decisive step in a distinguished academic career.
... David McKee, whose 'Opposition' was 'true Friendship'; Josh Lambier, who made another kind of sense by preparing the index; Jill McConkey, who as editor ...
... himself.1 The term 'man' is used in the generic rather than the gender sense to describe the logocentric drive towards self-knowledge and self-mastery, ...
The pulsations issue, for Blake, from the unconscious realm of the physical or 'Vegetable' body in which the senses sleep until they are awakened by ...
Poetry in this sense is the sanity of madness. Shelley obviously struggles to articulate this position when he argues that poetry 'arrests the vanishing ...
... that is sufficiently obvious when one considers how much unconscious preparation is needed, for instance, to register a sense-impression' (CW 9i:57).
讀者評論 - 撰寫評論
Jung and Romanticism The Fate of the Mythopoeic Imagination
Fryes Blake The Site of Opposition
Blakes Fourfold Body
Wordsworths Crazed Bedouin The Prelude and the Fate of Madness
Shelley and the Romantic Labyrinth
The Sanity of Madness Byron and Shelley