Walter Benjamin and the Arcades ProjectBeatrice Hanssen A&C Black, 2006年7月27日 - 256 頁 One of the most significant cultural documents of the Weimar Republic and Nazi era, Walter Benjamin's unfinished Arcades Project has had a remarkable impact on present-day cultural theory, urban studies, cultural studies and literary interpretation. Originally designed as a panoramic study chronicling the rise and decline of the Parisian shopping arcades, Benjamin's work combines imaginative peregrinations through the changing city-scape of nineteenth-century Paris with passages that read like a blueprint for a new cultural theory of modernity. Walter Benjamin and the Arcades Project provides the first comprehensive introduction to this extraordinary work accessible to English-language readers. The diverse range of issues explored include the nature of collecting, the anatomy of melancholy, the flâneur, the physiognomy of ruins, the dialectical image, Benjamin's relation to Baudelaire, the practice of history-writing, and modernity and architecture. Contributors include Susan Buck-Morss, Stanley Cavell, Jonathan Culler, Brigid Doherty, Barbara Johnson, Esther Leslie, Gerhard Richter, Andrew Benjamin, Howard Caygill, Beatrice Hanssen, Detlef Mertins, Elissa Marder, Tyrus Miller, and Irving Wohlfarth |
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第 1 到 5 筆結果,共 33 筆
第 23 頁
... light . likewise , pious notions of messianic salvation would merely land in the salvage - man's basket . and yet , in clearing space , does he not , with all due cynicism ( ' someone is sure to be found ... ' ) , leave room , for , say ...
... light . likewise , pious notions of messianic salvation would merely land in the salvage - man's basket . and yet , in clearing space , does he not , with all due cynicism ( ' someone is sure to be found ... ' ) , leave room , for , say ...
第 28 頁
... light from outside , be it Platonic or messianic , is still needed to orient the whole process of development . the reversibility of light and shadow , ' positive ' and ' negative ' , may be considered , in this light , as the first ...
... light from outside , be it Platonic or messianic , is still needed to orient the whole process of development . the reversibility of light and shadow , ' positive ' and ' negative ' , may be considered , in this light , as the first ...
第 36 頁
... lights, and exhaust fumes are overpowered by sidewalk smells of food and drink, the crowd in its leisure hours still enters into the nighttime panorama of the boulevards5 in order to re-enact en masse, as an atavistic practice, the ...
... lights, and exhaust fumes are overpowered by sidewalk smells of food and drink, the crowd in its leisure hours still enters into the nighttime panorama of the boulevards5 in order to re-enact en masse, as an atavistic practice, the ...
第 60 頁
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第 77 頁
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內容
1 | |
12 | |
33 | |
4 Passage Work | 66 |
5 Ruin and Rubble in the Arcades | 87 |
Advertising and Dialectical Images in Benjamins Arcades Project | 113 |
Benjamins OneWay Street through The Arcades | 132 |
8 The Colportage Phenomenon of Space and the Place of Montage in The Arcades Project | 157 |
10 The DreamReality of the Ruin | 201 |
Walter Benjamin and the Utopia of Glass | 225 |
Architecture Temporality and Dream in Benjamins Arcades Project | 240 |
13 Remains to be Seen | 259 |
Notes | 265 |
Contributors | 299 |
Index | 302 |
9 Walter Benjamins Dream of Happiness | 184 |
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常見字詞
aberration Abstand Adorno advertising aesthetic allegorical Antoine Wiertz apokatastasis appears Arcades Project awakening Baudelaire Baudelaire's Bauhaus become Benjamin notes Benjamin writes Berlin bourgeois Buck-Morss Building in France Bullrich salt capitalism capitalist Charles Baudelaire chiffonnier collective collector colportage commodity commodity fetishism concept concrete consciousness constellation construction Convolute critical cultural Denkbilder dialectical image dream emerges essay existence experience fashion fetishism figure flânerie flâneur Gerhard Richter German Gershom Scholem Giedion hashish Haussmannization historian human industrial interior Le Corbusier letter literary literature Marx mass material materialist means modern montage nature nineteenth century object One-Way Street painting Paris passage Passagen-Werk past Paul Scheerbart philosophy political precisely present production prostitute Proust rag-picker reader reading reflections relation revolutionary ruins Scheerbart Scholem sense sexual siblings social space spatial surrealism temporal theory things tion trans University Press urban utopian Walter Benjamin whore Wiertz women words