Walter Benjamin and the Arcades ProjectBeatrice Hanssen A&C Black, 2006年7月27日 - 256 頁 One of the most significant cultural documents of the Weimar Republic and Nazi era, Walter Benjamin's unfinished Arcades Project has had a remarkable impact on present-day cultural theory, urban studies, cultural studies and literary interpretation. Originally designed as a panoramic study chronicling the rise and decline of the Parisian shopping arcades, Benjamin's work combines imaginative peregrinations through the changing city-scape of nineteenth-century Paris with passages that read like a blueprint for a new cultural theory of modernity. Walter Benjamin and the Arcades Project provides the first comprehensive introduction to this extraordinary work accessible to English-language readers. The diverse range of issues explored include the nature of collecting, the anatomy of melancholy, the flâneur, the physiognomy of ruins, the dialectical image, Benjamin's relation to Baudelaire, the practice of history-writing, and modernity and architecture. Contributors include Susan Buck-Morss, Stanley Cavell, Jonathan Culler, Brigid Doherty, Barbara Johnson, Esther Leslie, Gerhard Richter, Andrew Benjamin, Howard Caygill, Beatrice Hanssen, Detlef Mertins, Elissa Marder, Tyrus Miller, and Irving Wohlfarth |
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第 1 到 5 筆結果,共 40 筆
第 3 頁
... describes the experience in a 1926 letter to his then fiancée Jula Cohn: I often saunter along the quays [of the seine] in a state of complete relaxation; real finds have become very rare there and the sight of countless ordinary books ...
... describes the experience in a 1926 letter to his then fiancée Jula Cohn: I often saunter along the quays [of the seine] in a state of complete relaxation; real finds have become very rare there and the sight of countless ordinary books ...
第 40 頁
... describe the most remote social phenomena (the bourgeoisie, leisure-time, gambling; the proletariat, work-time, machines,) dialectical images are created out of the language itself. For Benjamin, 'language is the place where one meets ...
... describe the most remote social phenomena (the bourgeoisie, leisure-time, gambling; the proletariat, work-time, machines,) dialectical images are created out of the language itself. For Benjamin, 'language is the place where one meets ...
第 51 頁
... describe prostitution as work – as has long been true in the argot of prostitutes. the convergence considered here ... describes einfühlung as the 'unlimited tendency to represent the position of everyone else, every animal, every dead ...
... describe prostitution as work – as has long been true in the argot of prostitutes. the convergence considered here ... describes einfühlung as the 'unlimited tendency to represent the position of everyone else, every animal, every dead ...
第 67 頁
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內容
1 | |
12 | |
33 | |
4 Passage Work | 66 |
5 Ruin and Rubble in the Arcades | 87 |
Advertising and Dialectical Images in Benjamins Arcades Project | 113 |
Benjamins OneWay Street through The Arcades | 132 |
8 The Colportage Phenomenon of Space and the Place of Montage in The Arcades Project | 157 |
10 The DreamReality of the Ruin | 201 |
Walter Benjamin and the Utopia of Glass | 225 |
Architecture Temporality and Dream in Benjamins Arcades Project | 240 |
13 Remains to be Seen | 259 |
Notes | 265 |
Contributors | 299 |
Index | 302 |
9 Walter Benjamins Dream of Happiness | 184 |
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