Walter Benjamin and the Arcades ProjectBeatrice Hanssen A&C Black, 2006年7月27日 - 256 頁 One of the most significant cultural documents of the Weimar Republic and Nazi era, Walter Benjamin's unfinished Arcades Project has had a remarkable impact on present-day cultural theory, urban studies, cultural studies and literary interpretation. Originally designed as a panoramic study chronicling the rise and decline of the Parisian shopping arcades, Benjamin's work combines imaginative peregrinations through the changing city-scape of nineteenth-century Paris with passages that read like a blueprint for a new cultural theory of modernity. Walter Benjamin and the Arcades Project provides the first comprehensive introduction to this extraordinary work accessible to English-language readers. The diverse range of issues explored include the nature of collecting, the anatomy of melancholy, the flâneur, the physiognomy of ruins, the dialectical image, Benjamin's relation to Baudelaire, the practice of history-writing, and modernity and architecture. Contributors include Susan Buck-Morss, Stanley Cavell, Jonathan Culler, Brigid Doherty, Barbara Johnson, Esther Leslie, Gerhard Richter, Andrew Benjamin, Howard Caygill, Beatrice Hanssen, Detlef Mertins, Elissa Marder, Tyrus Miller, and Irving Wohlfarth |
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第 1 到 5 筆結果,共 38 筆
第 2 頁
... called Spazieren in Berlin. But by the time of his first Paris visit, Benjamin had already learned to turn city-scapes and urban topographies into texts and physiognomies, open to interpretation. for together with Asja Lacis, whom he ...
... called Spazieren in Berlin. But by the time of his first Paris visit, Benjamin had already learned to turn city-scapes and urban topographies into texts and physiognomies, open to interpretation. for together with Asja Lacis, whom he ...
第 3 頁
... called Street Closed to traffic (Straße Gesperrt), but eventually to be published in 1927 as One-Way Street. Yet no city more than Paris provided an agreeable sensory overload to Benjamin's perceptual apparatus. Overwhelmed by the ...
... called Street Closed to traffic (Straße Gesperrt), but eventually to be published in 1927 as One-Way Street. Yet no city more than Paris provided an agreeable sensory overload to Benjamin's perceptual apparatus. Overwhelmed by the ...
第 6 頁
... called 'the organization of pessimism' (gs 2.1:308; sW 2:216) – pessimism here being a code word for nihilism. as a state of ecstasy, profane illumination did not just produce the 'loosening' of the i, but it allowed the subject to ...
... called 'the organization of pessimism' (gs 2.1:308; sW 2:216) – pessimism here being a code word for nihilism. as a state of ecstasy, profane illumination did not just produce the 'loosening' of the i, but it allowed the subject to ...
第 8 頁
... called for the overcoming of mere representationalism in the experience of a physical collectivity that was at home (heimisch) in an organic imaginary (heimisch machen, gs 2.1: 310; sW 2:217). It is good, then, to pause here for a ...
... called for the overcoming of mere representationalism in the experience of a physical collectivity that was at home (heimisch) in an organic imaginary (heimisch machen, gs 2.1: 310; sW 2:217). It is good, then, to pause here for a ...
第 11 頁
... called for a radical rearrangement of the furniture in one's own room . this embrace of historical materialism demanded a changed account of tempo- rality , one that did away with spatialized time , the reified time of spleen or ...
... called for a radical rearrangement of the furniture in one's own room . this embrace of historical materialism demanded a changed account of tempo- rality , one that did away with spatialized time , the reified time of spleen or ...
內容
1 | |
12 | |
33 | |
4 Passage Work | 66 |
5 Ruin and Rubble in the Arcades | 87 |
Advertising and Dialectical Images in Benjamins Arcades Project | 113 |
Benjamins OneWay Street through The Arcades | 132 |
8 The Colportage Phenomenon of Space and the Place of Montage in The Arcades Project | 157 |
10 The DreamReality of the Ruin | 201 |
Walter Benjamin and the Utopia of Glass | 225 |
Architecture Temporality and Dream in Benjamins Arcades Project | 240 |
13 Remains to be Seen | 259 |
Notes | 265 |
Contributors | 299 |
Index | 302 |
9 Walter Benjamins Dream of Happiness | 184 |
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常見字詞
aberration Abstand Adorno advertising aesthetic allegorical Antoine Wiertz apokatastasis appears Arcades Project awakening Baudelaire Baudelaire's Bauhaus become Benjamin notes Benjamin writes Berlin bourgeois Buck-Morss Building in France Bullrich salt capitalism capitalist Charles Baudelaire chiffonnier collective collector colportage commodity commodity fetishism concept concrete consciousness constellation construction Convolute critical cultural Denkbilder dialectical image dream emerges essay existence experience fashion fetishism figure flânerie flâneur Gerhard Richter German Gershom Scholem Giedion hashish Haussmannization historian human industrial interior Le Corbusier letter literary literature Marx mass material materialist means modern montage nature nineteenth century object One-Way Street painting Paris passage Passagen-Werk past Paul Scheerbart philosophy political precisely present production prostitute Proust rag-picker reader reading reflections relation revolutionary ruins Scheerbart Scholem sense sexual siblings social space spatial surrealism temporal theory things tion trans University Press urban utopian Walter Benjamin whore Wiertz women words