Walter Benjamin and the Arcades ProjectBeatrice Hanssen A&C Black, 2006年7月27日 - 256 頁 One of the most significant cultural documents of the Weimar Republic and Nazi era, Walter Benjamin's unfinished Arcades Project has had a remarkable impact on present-day cultural theory, urban studies, cultural studies and literary interpretation. Originally designed as a panoramic study chronicling the rise and decline of the Parisian shopping arcades, Benjamin's work combines imaginative peregrinations through the changing city-scape of nineteenth-century Paris with passages that read like a blueprint for a new cultural theory of modernity. Walter Benjamin and the Arcades Project provides the first comprehensive introduction to this extraordinary work accessible to English-language readers. The diverse range of issues explored include the nature of collecting, the anatomy of melancholy, the flâneur, the physiognomy of ruins, the dialectical image, Benjamin's relation to Baudelaire, the practice of history-writing, and modernity and architecture. Contributors include Susan Buck-Morss, Stanley Cavell, Jonathan Culler, Brigid Doherty, Barbara Johnson, Esther Leslie, Gerhard Richter, Andrew Benjamin, Howard Caygill, Beatrice Hanssen, Detlef Mertins, Elissa Marder, Tyrus Miller, and Irving Wohlfarth |
搜尋書籍內容
第 1 到 5 筆結果,共 41 筆
第 3 頁
... bourgeois upper class. More than to the quays of Paris with their famous bouquinistes, however, Benjamin was drawn to the space of the arcades, to the point where on 30 January 1928, he wrote to Scholem that he was working on a text ...
... bourgeois upper class. More than to the quays of Paris with their famous bouquinistes, however, Benjamin was drawn to the space of the arcades, to the point where on 30 January 1928, he wrote to Scholem that he was working on a text ...
第 5 頁
... bourgeois inte'rieur. it was the new art of living outside the space of the Biedermeier inte'rieur, a dialectical image that Adorno, following Benjamin would analyse in his book on Kierkegaard's existentialist philosophy. Moreover, the ...
... bourgeois inte'rieur. it was the new art of living outside the space of the Biedermeier inte'rieur, a dialectical image that Adorno, following Benjamin would analyse in his book on Kierkegaard's existentialist philosophy. Moreover, the ...
第 7 頁
... bourgeois at the aesthetic level, Benjamin hoped to strategically undo the last vestiges of conservative, no less than left-wing, morality and humanism. Profane illumination as an ecstatic loss of self, together with the nihilisitic ...
... bourgeois at the aesthetic level, Benjamin hoped to strategically undo the last vestiges of conservative, no less than left-wing, morality and humanism. Profane illumination as an ecstatic loss of self, together with the nihilisitic ...
第 11 頁
... bourgeois subject, in which ornamental archaic images adorned the parlour of modernity. reflecting this awareness, Benjamin would now complement his early reflections on surrealist dreamwork, by calling for a dialectical moment of ...
... bourgeois subject, in which ornamental archaic images adorned the parlour of modernity. reflecting this awareness, Benjamin would now complement his early reflections on surrealist dreamwork, by calling for a dialectical moment of ...
第 19 頁
... bourgeois utilitarianism, the metaphorical rag-picker opposes a militant, brechtian utilitarianism to the 'interest-free pleasure' (interesseloses Wohlgefallen) of classical bourgeois aesthetics. This primacy of politics over history ...
... bourgeois utilitarianism, the metaphorical rag-picker opposes a militant, brechtian utilitarianism to the 'interest-free pleasure' (interesseloses Wohlgefallen) of classical bourgeois aesthetics. This primacy of politics over history ...
內容
1 | |
12 | |
33 | |
4 Passage Work | 66 |
5 Ruin and Rubble in the Arcades | 87 |
Advertising and Dialectical Images in Benjamins Arcades Project | 113 |
Benjamins OneWay Street through The Arcades | 132 |
8 The Colportage Phenomenon of Space and the Place of Montage in The Arcades Project | 157 |
10 The DreamReality of the Ruin | 201 |
Walter Benjamin and the Utopia of Glass | 225 |
Architecture Temporality and Dream in Benjamins Arcades Project | 240 |
13 Remains to be Seen | 259 |
Notes | 265 |
Contributors | 299 |
Index | 302 |
9 Walter Benjamins Dream of Happiness | 184 |
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aberration Abstand Adorno advertising aesthetic allegorical Antoine Wiertz apokatastasis appears Arcades Project awakening Baudelaire Baudelaire's Bauhaus become Benjamin notes Benjamin writes Berlin bourgeois Buck-Morss Building in France Bullrich salt capitalism capitalist Charles Baudelaire chiffonnier collective collector colportage commodity commodity fetishism concept concrete consciousness constellation construction Convolute critical cultural Denkbilder dialectical image dream emerges essay existence experience fashion fetishism figure flânerie flâneur Gerhard Richter German Gershom Scholem Giedion hashish Haussmannization historian human industrial interior Le Corbusier letter literary literature Marx mass material materialist means modern montage nature nineteenth century object One-Way Street painting Paris passage Passagen-Werk past Paul Scheerbart philosophy political precisely present production prostitute Proust rag-picker reader reading reflections relation revolutionary ruins Scheerbart Scholem sense sexual siblings social space spatial surrealism temporal theory things tion trans University Press urban utopian Walter Benjamin whore Wiertz women words