Where There's A Will There's A Way: Or, All I Really Need to Know I Learned from ShakespearePenguin, 2007年10月30日 - 224 頁 When life becomes one big drama, let history's greatest life coach help you rewrite it. Bard expert Laurie Maguire brings her knowledge and love of Shakespeare to bear on the great-and small-challenges that all readers face today. As she illustrates in this witty, accessible, and unique self-help book, all one really needs is Shakespeare when it comes to understanding life. Covering such universal subjects as identity, the battle of the sexes, family relationships, love, loss and death, Maguire shows how the dilemmas illustrated in Shakespeare's plays can help readers explore their own emotions and judgments. Together, Maguire and Shakespeare offer suggestions, comfort, empathy, and encouragement as they set out a timeless principle for living. To read Shakespeare is to understand what it means to be human. To read Where There's a Will There's a Way is to better understand how to deal with it. |
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... questions; he gives suggestions; he offers possibilities; he comforts and encourages; he coaches. Ultimately he helps us take control of the plot in our own lives; he helps us discover ourselves. One IDENTITY Who is it that can tell me who.
... questions; he gives suggestions; he offers possibilities; he comforts and encourages; he coaches. Ultimately he helps us take control of the plot in our own lives; he helps us discover ourselves. One IDENTITY Who is it that can tell me who.
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... ? Margaret Atwood raises this question in her short story “Gertrude Talks Back.” Gertrude tells her son, “I always thought it was a mistake calling you Hamlet. I mean, what kind of name is that for a young One - IDENTITY.
... ? Margaret Atwood raises this question in her short story “Gertrude Talks Back.” Gertrude tells her son, “I always thought it was a mistake calling you Hamlet. I mean, what kind of name is that for a young One - IDENTITY.
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... question in his exploration of identity. My name . . . means carrying Christ and it comes from the Greek words χριστος (which means Jesus Christ) and φερει and it was the name given to St. Christopher because he carried Jesus Christ ...
... question in his exploration of identity. My name . . . means carrying Christ and it comes from the Greek words χριστος (which means Jesus Christ) and φερει and it was the name given to St. Christopher because he carried Jesus Christ ...
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... question, “What's in a name?” in soliloquy after the ball at her father's house. Her family, the Capulets, are ... questions first is not the given name but the surname, Montague/Capulet. The history of hatred attached to these surnames ...
... question, “What's in a name?” in soliloquy after the ball at her father's house. Her family, the Capulets, are ... questions first is not the given name but the surname, Montague/Capulet. The history of hatred attached to these surnames ...
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... question is now impossible to answer as Romeo realizes: “By a name / I know not how to tell thee who I am” (2.2.53-54). Humans need names. The name may begin as a label (“how to tell thee who I am”), but it quickly becomes a part of our ...
... question is now impossible to answer as Romeo realizes: “By a name / I know not how to tell thee who I am” (2.2.53-54). Humans need names. The name may begin as a label (“how to tell thee who I am”), but it quickly becomes a part of our ...
內容
Two FAMILY | |
COMEDY | |
TRAGEDY | |
Seven ACCEPTANCE | |
Nine JEALOUSY | |
Eleven FORGIVENESS | |
Thirteen MATURITY | |
Epilogue | |
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常見字詞
abuse accept advice affection Angelo anger Antony asks attitude become beginning behavior Bertram better chapter characters child Cleopatra comedy comes Cressida critic daughter death Dream Elizabethan emotional experience expression fact fall father feel female forgiveness friendship give Hamlet Helen Henry human husband identity imagination jealousy Juliet Katherine kind king label later Lear lines live look lose loss lost lovers male Mariana marriage married means Measure meet metaphor never Night’s offers Othello ourselves pain parents physical play political present problem professional question realizes reason relationship response risk Romeo says scene sexual Shakespeare simply situation someone speech story suffer talk tell things thought Troilus true trying turn verbal wife woman women young