Where There's A Will There's A Way: Or, All I Really Need to Know I Learned from ShakespearePenguin, 2007年10月30日 - 224 頁 When life becomes one big drama, let history's greatest life coach help you rewrite it. Bard expert Laurie Maguire brings her knowledge and love of Shakespeare to bear on the great-and small-challenges that all readers face today. As she illustrates in this witty, accessible, and unique self-help book, all one really needs is Shakespeare when it comes to understanding life. Covering such universal subjects as identity, the battle of the sexes, family relationships, love, loss and death, Maguire shows how the dilemmas illustrated in Shakespeare's plays can help readers explore their own emotions and judgments. Together, Maguire and Shakespeare offer suggestions, comfort, empathy, and encouragement as they set out a timeless principle for living. To read Shakespeare is to understand what it means to be human. To read Where There's a Will There's a Way is to better understand how to deal with it. |
搜尋書籍內容
第 1 到 5 筆結果,共 34 筆
第 頁
... characters whose motivations and mistakes are recognizably contemporary. In reading these plays we encounter life's predicaments and characters' strategies for dealing with them. In other words, Shakespeare's plays offer life coaching ...
... characters whose motivations and mistakes are recognizably contemporary. In reading these plays we encounter life's predicaments and characters' strategies for dealing with them. In other words, Shakespeare's plays offer life coaching ...
第 頁
... character and situation; audiences respond first to character and situation; the daily drama of our lives also revolves around the palpable emotional realities of character and situation. With Shakespeare, as with life, we're simply ...
... character and situation; audiences respond first to character and situation; the daily drama of our lives also revolves around the palpable emotional realities of character and situation. With Shakespeare, as with life, we're simply ...
第 頁
... character and situation that makes Shakespeare a psychologist before the field of psychology existed as a profession. Our lives are simply stories whose conclusions are not yet scripted, and we are characters in our own dramas. We live ...
... character and situation that makes Shakespeare a psychologist before the field of psychology existed as a profession. Our lives are simply stories whose conclusions are not yet scripted, and we are characters in our own dramas. We live ...
第 頁
... character behavior (usually in the form of unexpected violence) we respond with incredulity: “Who could have predicted it?” “Who would have imagined it?” These are the typical responses of family and friends on the TV news. As the ...
... character behavior (usually in the form of unexpected violence) we respond with incredulity: “Who could have predicted it?” “Who would have imagined it?” These are the typical responses of family and friends on the TV news. As the ...
第 頁
... character as a lawyer). Seeing things from the vendor's point of view resulted in a change of rhetorical tactic (and a happy ending for all concerned). Stories, then, present us with roles we might not yet imagine and outcomes we might ...
... character as a lawyer). Seeing things from the vendor's point of view resulted in a change of rhetorical tactic (and a happy ending for all concerned). Stories, then, present us with roles we might not yet imagine and outcomes we might ...
內容
Two FAMILY | |
COMEDY | |
TRAGEDY | |
Seven ACCEPTANCE | |
Nine JEALOUSY | |
Eleven FORGIVENESS | |
Thirteen MATURITY | |
Epilogue | |
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常見字詞
abuse accept advice affection Angelo anger Antony asks attitude become beginning behavior Bertram better chapter characters child Cleopatra comedy comes Cressida critic daughter death Dream Elizabethan emotional experience expression fact fall father feel female forgiveness friendship give Hamlet Helen Henry human husband identity imagination jealousy Juliet Katherine kind king label later Lear lines live look lose loss lost lovers male Mariana marriage married means Measure meet metaphor never Night’s offers Othello ourselves pain parents physical play political present problem professional question realizes reason relationship response risk Romeo says scene sexual Shakespeare simply situation someone speech story suffer talk tell things thought Troilus true trying turn verbal wife woman women young