Round which is heard a spring-head of clear waters 45 By infant hands, left on the path to die. On many harps, which he has lately strung; 55 Here are sweet peas, on tip-toe for a flight: With wings of gentle flush o'er delicate white, Linger awhile upon some bending planks That lean against a streamlet's rushy banks, 60 (61-80) Clarke says Keats told him this passage was the recollection of the friends' "having frequently loitered over the rail of a foot-bridge that spanned . . . a little brook in the last field upon entering Edmonton." Keats, he says, "thought the picture correct, and acknowledged to a partiality for it." Lord Houghton prints the following alternative reading of the passage beginning with line 61 "Linger awhile among some bending planks They will be found softer than ring-dove's cooings. Not the minutest whisper does it send 65 To the o'erhanging sallows: blades of grass Why, you might read two sonnets, ere they reach To where the hurrying freshnesses aye preach 70 Where swarms of minnows show their little heads, Temper'd with coolness. How they ever wrestle 75 With their own sweet delight, and ever nestle If you but scantily hold out the hand, That very instant not one will remain ; But turn your eye, and they are there again. Or perhaps, to show their black, and golden wings, Were I in such a place, I sure should pray And watch intently Nature's gentle doings: That nought less sweet, might call my thoughts away, Than the soft rustle of a maiden's gown Fanning away the dandelion's down; Than the light music of her nimble toes How she would start, and blush, thus to be caught O let me lead her gently o'er the brook, 95 100 105 O'er which it well might take a pleasant sleep, But that 'tis ever startled by the leap ΠΟ Of buds into ripe flowers; or by the flitting Of diverse moths, that aye their rest are quitting; Above a cloud, and with a gradual swim 115 (96) Mr. F. Locker possesses a single leaf of the autograph manuscript of this poem, beginning with line 96 and ending with line 182. It seems to have been preserved by Haydon, who has written upon it, "Given me by my Dear Friend Keats-B. R. Haydon". The verbal variations are given below. (99) The manuscript reads will for would. (106) In the manuscript, peeping for looking. (115) Lord Houghton notes, presumably from some other manuscript, the following variation : Floating through space with ever-living eye, The crowned queen of ocean and the sky. Spangler of clouds, halo of crystal rivers, Mingler with leaves, and dew and tumbling streams, Of upcast eye, and tender pondering! 120 125 130 Fair dewy roses brush against our faces, And flowering laurels spring from diamond vases; 135 Walking upon the white clouds wreath'd and curl'd. 140 What Psyche felt, and Love, when their full lips (128) In the manuscript we read a mountain Pine. (141) Compare Endymion, final couplet : Peona went Home through the gloomy wood in wonderment. (144) This was originally written in the manuscript, What fondleing and amourous nips; but the words are marked to be transposed. First touch'd; what amorous, and fondling nips 150 155 Telling us how fair, trembling Syrinx fled Arcadian Pan, with such a fearful dread. Poor nymph,-poor Pan,-how he did weep to find, Nought but a lovely sighing of the wind 160 Along the reedy stream; a half heard strain, Full of sweet desolation-balmy pain. What first inspir'd a bard of old to sing A little space, with boughs all woven round; 165 (151) Cancelled manuscript reading, So do they feel who pull; and in the next line, may for might. (153) In the manuscript, and in the original edition, Fawns for Fauns. (155) Cancelled manuscript reading, And curious garlands oj flowers &c. (156) The manuscript has sportive for sporting. (159) In the manuscript, how did he weep. |