IV. Let the tone of voice in reading be the same as it would be in speaking on the same subject.

To render this rule proper and effectual, children should be taught to speak slowly, distinetly, and with due attention to the sentiments they express. The mode of speaking is then only to be imitated by the reader, when it is just and natural.

V. Endeavour to vary and modulate the voice according to the nature of the subject, whether it be in a solemn, a serious, a familiar, a gay, a humorous, or an ironical strain.

It would be highly improper to read an interesting narrative, with an air of negligence; to express warm emotions of the heart, with cold indifference and to pronounce a passage of Scripture, on a sublime and important subject, with the familiar tone of common conversation. On the other hand, it would be absurd to read a letter on trivial subjects, in a mournful strain; er a production of gaiety and humour, with grave formality.

VI. In reading verse, the same general directions must be observed, as have been given for reading prose.

Narrative, didactic, descriptive, and pathetic pieces, have the same peculiar tone and manner, in poetry as in prose. A singing note, and making the lines jingle by laying too great stress on the rhyming words, should be particularly avoided. A very small pause

ought to be made at the end of a line, unless the sense, or some of the usual marks of pause, require a considerable one. The great rule for reading verse, as well as prose, is to read slowly, distinctly, and in a natural tone of voice.

We shall now caution the young readers againstsome faults which many are apt to commit. In doing this, it will unavoidably happen, that a few of the preceding observations will, in some degree, be repeated : but this confirmation of the rules will, it is presumed, be no disadvantage to the learners. A display of the various errors in reading, incident to children, may make a greater impression, than directions which are positive, and point only to the propriety of pronun

ciation.

1. Avoid too loud, or too low a voice.

An overstrained voice is very inconvenient to the reader, as well as disgusting to the hearer. It exhausts the reader's spirits; and prevents the proper management and modulation of his voice, according to the sense of his subject; and it naturally leads into a tone. Too low a voice is not so inconvenient to the speaker, as the other extreme; but it is very disagreeable to the hearer. It is always offensive to an audience, to observe any thing in the reader or speaker, that marks indolence or inattention. When the voice is naturally too loud, or too low, young persons should correct it in their ordinary conversation: by

this means they will learn to avoid both the extremes, in reading. They should begin the sentence with an even, moderate voice, which will enable them to rise or fall as the subject requires.

2. Avoid a thick, confused, cluttering voice.

It is very disagreeable to hear a person mumble, clip or swallow his words; leaving out some syllables in the long words, and scarcely ever pronouncing some of the short ones; but hurrying on without any carc to give his words their full sound, or his hearers the full sense of them. This fault is not easily cured. The best means of mending it, is, to endeavour, both in conversation and reading, to pronounce every word in a deliberate, clear and distinct manner.

3. Be careful to read neither too quick nor too slow.

A precipitant reader leaves no room for pauses; fatigues himself; and lowers the dignity of his subject. His hearers lose much of what is delivered, and must always be dissatisfied with a reader who hurries and tires them. Children are very apt to read too fast, and to take pleasure in it, thinking that they who pronounce the words with the greatest rapidity, are the best scholars. The heavy, dronish, sleepy, reader, and who often makes pauses where there should be none, is also very disagreeable. If he hems and yawns between the periods, he is still more so.

4. Study to avoid an irregular mode of pronuncia tion.

It is a great fault in reading, to raise and fall the voice by fits and starts; to elevate and depress it unseasonably, without regard to sense or stops; or always to begin a sentence with a high voice, and conclude it with a low one; or, on the contrary, to begin it with a low voice, and conclude with a high one. To avoid these errors, the sentence should not be begun in too high or too low a key; regard should be had to the nature of the points, and the length of the periods and the reader's mind should be attentive to the subject, sense, and spirit, of his author.

5. With the utmost care avoid a flat, dull, uniform voice, without emphasis or cadence, or a proper regard to the sense of what is reading.

This is a practice to which children who do not love learning, and who are tired with their lessons, are very prone. When this mode of reading becomes habitual, it is painful to the hearer, and very difficult to be remedied. The best means of cure are those prescribed for the preceding error; for if the mind be attentive to the sentiments delivered, the voice will be adapted to their nature and importance.

6. Reading with an improper tone, is a great and common fault of learners, and must be carefully avoided.

No habit is more easy to be contracted than this, or harder to be overcome. This unnatural tone in reading is always disgusting to persons of sense and delicacy. Some have a squeaking tone. Persons whose

voices are shrill and weak, or overstrained, are apt to fall into this tone-some having a singing or canting note: others assume a high, swelling tone These lay too much stress on every sentence, and violate every rule of decent pronunciation.-Some affect an awful and striking tone, attended with solemn grimace; as if they wished to move the reader with every word, whether the weight of the subject supports them, or not.-Some have a set, uniform tone of voice, which has already been noticed. Others have, a strange, whimsical, whining tone, peculiar to themselves and not easy to be described. They are continually laying the emphasis on words which do not require or deserve it.

To avoid all kinds of unnatural and disagreeable tones, we should read with the same ease and freedom that would mark our private conversation on the same subject. We do not hear persons converse in a tone: if we did, we should laugh at them.. "Do not," says Dr. Watts," affect to change that natural and easy sound with which you speak, for a strange, new, awkward tone, as some do, when they begin to read. We should almost be persuaded that the speaker and the reader were two different persons, if our eyes did not tell us the contrary."

We shall close these rules and observations, by a remark of considerable importance to young persons who are desirous of learning to read well. Few rules on the subject are intelligible to children, unless illustrated by the voice of a competent instructor. They

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