The Bucknell Review, 第 13 卷Bucknell University Press, 1954 |
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第 1 到 3 筆結果,共 57 筆
第 50 頁
... poem or play or novel . The artist's dimension of definition , his valid operating unit , was the poem or play or novel ; one need only read Corneille's Discours or Racine's Préfaces to see that for the artist the most important ...
... poem or play or novel . The artist's dimension of definition , his valid operating unit , was the poem or play or novel ; one need only read Corneille's Discours or Racine's Préfaces to see that for the artist the most important ...
第 56 頁
... poems . The Eve of St. Agnes is a cold poem , and not only because of the chill in the first and last lines . It is cold because it does not delineate passions ; the reader is awed , but not aroused or engaged . The poem is about the ...
... poems . The Eve of St. Agnes is a cold poem , and not only because of the chill in the first and last lines . It is cold because it does not delineate passions ; the reader is awed , but not aroused or engaged . The poem is about the ...
第 63 頁
... poem , the remembrance of a poem , as E. E. Cummings put it , which the reader must rebuild in order to re - experience it . What works on the screen does so not by calling 13 Sergei Eisenstein , The Film Sense ( London , 1948 ) , p ...
... poem , the remembrance of a poem , as E. E. Cummings put it , which the reader must rebuild in order to re - experience it . What works on the screen does so not by calling 13 Sergei Eisenstein , The Film Sense ( London , 1948 ) , p ...
內容
NUMBER | 1 |
THE MORALITY OF DECEPTION IN EXPERIMENTS | 17 |
WHOS AFRAID OF VIRGINIA WOOLF? AND | 27 |
17 個其他區段未顯示
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