The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 頁 |
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第 1 到 3 筆結果，共 89 筆
第 208 頁
... words would be merely turning them into ridicule , and therefore , every reader who has the least delicacy of feeling will certainly preserve the common accent ( ) of these words on the first syllable , and let the metre of the line ...
... words would be merely turning them into ridicule , and therefore , every reader who has the least delicacy of feeling will certainly preserve the common accent ( ) of these words on the first syllable , and let the metre of the line ...
第 210 頁
... words , to make them correspond with the rules of artificial prosody . I have not room to give these lists , and the lines in which they occur , but I have met with no words that do not admit of the regular poize , when the line is ...
... words , to make them correspond with the rules of artificial prosody . I have not room to give these lists , and the lines in which they occur , but I have met with no words that do not admit of the regular poize , when the line is ...
第 241 頁
... words to be written out by the scholar ? 31. What is the second ? 32. Should he write out words of three syllables also ? 33. What advantage arises from writing out tri- syllables ? 34. What is the third class of words ? 35. What is ...
... words to be written out by the scholar ? 31. What is the second ? 32. Should he write out words of three syllables also ? 33. What advantage arises from writing out tri- syllables ? 34. What is the third class of words ? 35. What is ...
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words