The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 頁 |
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第 1 到 3 筆結果，共 17 筆
第 93 頁
... triple cadences . The leading distinction , then , between com- mon and triple cadence , is the inequality of the pulsations , or the heavy and the light syllables : the common cadence being heavy and light alternately , the triple ...
... triple cadences . The leading distinction , then , between com- mon and triple cadence , is the inequality of the pulsations , or the heavy and the light syllables : the common cadence being heavy and light alternately , the triple ...
第 95 頁
James Chapman. or Examples of Triple Cadences marked :: 7 Sad is my fate , said the | heart - broken | stranger Green ... triple , as in common measure , the pauses may occur in any part of the cadence . Example . From the knaves ...
James Chapman. or Examples of Triple Cadences marked :: 7 Sad is my fate , said the | heart - broken | stranger Green ... triple , as in common measure , the pauses may occur in any part of the cadence . Example . From the knaves ...
第 98 頁
... triple measure . The whole quantity of the time , or duration of a cadence , whether common measure , consisting of ... cadences . A division , into six equal integral parts , is either the double of three , or the triple of two ...
... triple measure . The whole quantity of the time , or duration of a cadence , whether common measure , consisting of ... cadences . A division , into six equal integral parts , is either the double of three , or the triple of two ...
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words