The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 頁 |
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第 1 到 3 筆結果，共 26 筆
第 6 頁
... sing . To perform either of these properly , it is neces- sary that we be well acquainted with the extent and powers of this instrument . If we are ignorant of the extent and variety of its compass , we can neither modulate its tones ...
... sing . To perform either of these properly , it is neces- sary that we be well acquainted with the extent and powers of this instrument . If we are ignorant of the extent and variety of its compass , we can neither modulate its tones ...
第 147 頁
... singing tones when they read , or reading accents when they sing , as may best suit the obesity of their taste and hearing - both of them will be equally correct . It must be observed , that when authors affirm that notes of song or ...
... singing tones when they read , or reading accents when they sing , as may best suit the obesity of their taste and hearing - both of them will be equally correct . It must be observed , that when authors affirm that notes of song or ...
第 157 頁
... singing - master will teach his pupils to sing notes which he cannot sound before them . It is not a little surprising , that so limited a degree of professional knowledge and talent should satisfy in the former , and that so high a ...
... singing - master will teach his pupils to sing notes which he cannot sound before them . It is not a little surprising , that so limited a degree of professional knowledge and talent should satisfy in the former , and that so high a ...
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words