The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 頁 |
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第 1 到 3 筆結果，共 65 筆
第 102 頁
... rhythm in his motions ; and this sensibility , even if he were mute , would be an impassible line of separation between him and all the brute creation . But when his measured step is ac- companied with corresponding vocal or ...
... rhythm in his motions ; and this sensibility , even if he were mute , would be an impassible line of separation between him and all the brute creation . But when his measured step is ac- companied with corresponding vocal or ...
第 109 頁
... rhythm does not lie in quantity . As I consider our sense of rhythm to be much more instinctive than rational , I am of opinion , that the an- cient Greeks might have been practically as excellent in that part of music , as the moderns ...
... rhythm does not lie in quantity . As I consider our sense of rhythm to be much more instinctive than rational , I am of opinion , that the an- cient Greeks might have been practically as excellent in that part of music , as the moderns ...
第 243 頁
... rhythm ? eoul ont ob wiW .8 % 33. What is rhythm equal to when applied to speech ? ul otro dubitak q alt ostent war nin )蓄 1934 In what does the essence of rhythm con- } sist ? 35. What is the essence of meter ? JD .85 136. How many ...
... rhythm ? eoul ont ob wiW .8 % 33. What is rhythm equal to when applied to speech ? ul otro dubitak q alt ostent war nin )蓄 1934 In what does the essence of rhythm con- } sist ? 35. What is the essence of meter ? JD .85 136. How many ...
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words