The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 頁 |
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第 1 到 3 筆結果，共 32 筆
第 66 頁
... reader or speaker . In composition , to mark the structure of sen- tences , to separate the clauses , branches and mem- bers that constitute them , is the object of Gramma- tical punctuation , and has no reference to time , to cadence ...
... reader or speaker . In composition , to mark the structure of sen- tences , to separate the clauses , branches and mem- bers that constitute them , is the object of Gramma- tical punctuation , and has no reference to time , to cadence ...
第 67 頁
... reader or speaker . 3. To allow him proper time for the necessary supplies of breath . 4. To enable him to mark distinctly the inter- vals between the accents , which necessarily accom- pany every pause . 5. To allow the speaker , in ...
... reader or speaker . 3. To allow him proper time for the necessary supplies of breath . 4. To enable him to mark distinctly the inter- vals between the accents , which necessarily accom- pany every pause . 5. To allow the speaker , in ...
第 68 頁
... reader and speaker ; the occasion , the place , and the audience , all contribute to vary the accents , the quantity , and the rhetorical pauses . Not being aware of this , every attempt that I have seen to direct rhetorical pauses , is ...
... reader and speaker ; the occasion , the place , and the audience , all contribute to vary the accents , the quantity , and the rhetorical pauses . Not being aware of this , every attempt that I have seen to direct rhetorical pauses , is ...
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常見字詞
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words